Defecting Grey - Pivotal

It's great to hear New Jersey's Defecting Grey again, so soon after Circuits. They are a Power Trio of extreme quality. Up and at 'em for the majority of the time. The mix of 90s Indie Rock is as present as ever, maybe more so.

Although, there is also an 80s Indie feel at times, think the likes of I.R.S. The riffs are enormous and riveting as are the Guitar solos, but there is a real Power Pop feel to the rhythm section, never more so on The Difference Engine which certainly gets the juices flowing,

The Power Pop is still present, fitting with the noisier version that has reinvigorated the genre, particularly on Major Minor with its awesome Guitar solo. You can only imagine, here in the UK, what a live act the three provide with all the energy on Pivotal.

The Rhythm section of Mike Polilli and Vince Grogan are at their peak on the Rockiest song here, Pivotal and the Psych Pop interludes make me so happy. This is singalong stuff despite its pace and noisier feel. The riff on Signal Noise rips straight to your brain as does the solo and the closing outro. There are even three engaging instrumentals, all under a minute, that underline the band's power.

CJ Grogan is a superb Guitarist and vocalist. Pivotal is a little Rockier than you might expect on here, but it is a cracking listen. The sheer energy and Pace rattles your dentures at times providing a great more than worthwhile listen.

You can listen to and buy the album here.

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Homework - Bang Here If Stuck

Glasgow's Homework come across as an excellent Indie 90's quartet that found their home in Brit Pop. The songs fit that well at times, but there is much more to them that. There seems a restlessness that reaches for much more and repeated listens reveal that to be the case.

A song like Hedge Your Bets is rough and random, wonderfully noisy and schizophrenic in a way that makes your ears prick up. To follow that with the 80s Guitar Pop of Some Kind Of Magic which is a little Lloyd Cole at times, shows the band's scope.

Then there's the 90's College Rock of Roadhouse, all fuzz, that is completely different to the opener, Heroes Welcome, that is instrumentally like early Teenage Fanclub with a slightly Madchester vocal. You realise that Bang Here If Stuck is no ordinary listen. 

Both ASAP and Made give the Brit Pop feel, but Salt is wonderful Jangle Pop. GVB is splendid noisy Fuzz Pop showing another dimension to the band. Ending Song adds to the variety with its meandering riff, approaching 5 minutes long, it is superbly ramshackle.

I suppose many will ram the album into Pop Rock, but there is much more than tat here. It is well arranged and produced with a ton of ideas, songs taking different directions and an admirable earthiness. Credit too tp Meritorio Records for another outstanding release.

You can listen to and buy the album here. It is available on Vinyl and as a download.

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The Goods - Goodbye Summertime

 

I've said it before, but Dandyboy Records is probably the best label around at present. It is a labour of love for Bobby, but the quality is constant, hard to achieve with the volume of releases. Rob Good's The Goods may be the best of all of them, but then again the Softjaw album is released a week today.

The debut album, Don't Spoil The Fun, was third in our Best Albums Of 2025 and could have easily topped it in a really strong Top 10. You can read the Review here. Less than a year later, comes the follow up and it matches if not betters that debut.

Goodbye Summertime is more of a Solo affair with some stellar guest appearances. It also feels less Power Pop, concentrating on big harmonies and bigger arrangements. It feels more Pop Rock, but it still Jangles and isn't frightened of the straight ahead.

Those harmonies are stellar, a little West Coast at times, layered to perfection, aided by top class arrangements. The title tells you that the Summer has ended, but the feel is still there despite a slightly melancholic feel to the lyrics.

The debut allowed you to admire the Jangling and the Power Pop. Here, the more laidback songs resonate most, Punchball being the standout with the amazing instrumentation. But the Power Pop is present, Driving and Wing being the best examples.

Yet Good is just as at ease with the moody such as the Acoustic, Waiting and Sleepytime is a wonderful closer and contains a wonderful Psych pop riff that lights up the anthem. Rob Good revived classic Power Pop on the debut, here he takes melody into a wonderful soundscape.

You can listen to and buy the album here. The album is available on Vinyl, CD and as a download.

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Bagful Of Beez - In Parallax

Although a fan of The Meanies, I properly first got into Lindsay McLennan via Tomorrow People and the wonderful Shining album in 1997. One look at his Discogs page will show many of his adventures, but he will be forever known as Link Meanie, the front man of The Meanies, Australian national treasures.

The band are close to completing their 4th decade. Known for Punk, there is a copy element at times, short songs that never extend their welcome. Bass Player, Wally Meanie (Kempton) is noted for Cheersquad Record, a label that is exemplary in celebrating the Australian music scene.

Link McLennan as he is known here has never been afraid of genre swapping and Bagful Of Beez are a delightful listen. Now a proper band for the second album, the first being a McLennan solo affair, the concentration is largely intelligent Pop Rock, but also a testament to his adventures across his career.

Wonkavision, for example, is glorious Psych Pop. Yet, Keep Up The Joneses is great Beat Pop. Smart Enough To Know I'm Stupid is glorious Brit Pop and the title track is wonderful Dream Pop. You now must realise that In Parallax is full of variety.

Bliss And The Abyss closes the album with a glorious instrumental, cinematic, part New Wave, part Telstar and Reach For The Stars is Glorious Pop. Odd Couple is 60s Easy Listening and Meghan Maike's sugar sweet vocal turns the slightly Space Age Fever Dream into great Pop, McLennan singing a killer chorus.

There's not a duff song among the 13 here and no song is like the last. McLennan's songwriting is at a peak. The band is a complete unit and the arrangements are inspired. The whole thing is filled with joy and underlines what a career, that McLennan continues to have. Absolutely Splendid!

You can listen to and the album here. It is available on different Vinyl versions and as a download.

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David Myhr - Everything Is About You

And finally for tonight, a review from my long time friend and Anything Should Happen compatriot, Nick Fletcher. We see each other less since he moved to Sweden, but the bond forever remains.

Swedish band, The Merrymakers, led by David Myhr released two excellent powerpop albums in the 90s, he second of which, Bubblegun, was co-produced by Andy Sturmer of Jellyfish. Thirteen years after Bubblegun came David’s first solo album, Soundshine and this was followed seven years later by the next album Lucky Day. 

Both albums are chock full of infectious hook-laden pop songs and come highly recommended. It’s been eight years since the last album, during which time David has suffered and recovered from a stroke and become a father in his 50s. 

“Everything Is All About You” doesn’t take a backward step in his quest for writing perfect pop songs. There is a celebration of parenthood with the whimsical “Doodlebug”, but nothing negative related to his illness.

It opens with four blasts of sunshine pop wearing all influences proudly on its sleeve. You can pick out Jellyfish, Beatles, Beach Boys, ELO and others, but it is a celebration of their styles and never a pastiche. The opener, “Say Yes” is probably the most Jellyfish-like solo song he has written.

“Summer Summer Summer” is aural sunshine topped off with wonderful harmonies.

Many of the songs on the album are co-written with luminaries like Bill DeMain (Swan Dive), Linus Of Hollywood and Brad Jones (producer of Imperial Drag and Cotton Mather’s “Kontiki” among others). These influences help add variety to the proceedings and the sunshine pop openers are followed by the melancholy, but oh so impressive, Brad Jones collaboration “Crystal Is Thinking Of Something”.

The album continues with more great pop songs punctuated with the American Song Book influenced “Continental Drifter”. The harmonies are ever-present and keep you engaged throughout. The album wraps up with a beautiful ballad that you could imagine Paul McCartney could have penned on a Beatles album.

It’s an album that should bring a smile to any listener’s face with its singalong choruses and sublime harmonies – every day can be a summer’s day! It is available digitally here.  Physical copies can be bought here. 

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Summer Sleeves - I'm Shelling Real Daggers

 

The third album from Seattle based Jeremy Wayne's Summer Sleeves and it offers up Classic Power Pop. Largely, a solo affair with Ethan Jones on Bass on half the songs and a guest Brass section. It sounds very 70s UK New Wave at times.

There is a real charm in the arrangements, encompassing Power Pop across the ages, real variety across the songs. There is a Costello or Parker feel to Goodmorning, Sun (Dandelions), the keys make it a little lighter feel to both, but the general feel is one of 1977.

Vocally, Wayne is aided by having a slight growl, which takes it away from the often too sweet Power Pop vocal. There is also a difference to other albums in the genre, there is no front loading, in fact the album gets better and better as it progresses. 

The keyboard sound at times sounds slightly US New Wave, but the instrumental arrangements are stellar. Tiny Violins is a rare slowing of the pace, great atmospheric Piano Pop, short but incredibly sweet. The Brass arrangement on The Hurt Can You Do is almost Revue style with a laconic vocal.

Might Have A Friend is great 70s Pop Rock, Anywhere, Anytime sounds a Little Rock and Roll and the kitchen sink production on Simple Matters is joyous. The whole album is incredibly endearing, a joyous listen that shows that music can be fun as well as catchy.

You can listen to and buy the album here. It is available on Vinyl and as a download.

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Stephen Egerton - I Think You're Overthinking This

 

Welcome to something wonderful. Most will know Stephen Egerton from The Descendants and immediately wonder what Hardcore Punk is doing on I Don't Hear A Single. Well, this is nothing like Punk, a heady mix of Indie Rock and Power Pop.

It is a Guitar album, splendidly upbeat, built on big riffs, great solos and killer choruses. The quality of the songwriting, the sheer singalong readiness is a joy. At times, it sounds as if it is from the scene that followed R.E.M.'s explosion, but a much chirpier listen.

Egerton's wife treated him to four days in Abbey Road for his 60th Birthday and he utilised the time to record his debut solo album and it is a true solo album, he plays everything. He decided to use songs that just wouldn't fit The Descendants and how grateful we are.

There is a feel of Bob Mould at times, but a far more melodic Mould. There is a delightful Twang to Stalwart Figure and Roland Grace is a stunning single. The album reveals a lyrical adeptness, never more so on that song which is real storytelling stuff.

The album doesn't come up for air and there is no quality drop among the 10 on show. Bottom Of The Heart's intro hints at something more laidback, but that goes all Electric. The pace throughout is joyous and Effigy even sounds a little Rockpile. I just didn't expect this and I do hope it's not the last time that he visits Power Pop.

You can listen to and buy the album here. You can buy the Vinyl here.

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Tamar Berk - The Restless Dreams Of Youth : The Demos

 

I wouldn't normally go for a set of demos, but this is Tamar Berk. Five albums in Five Years, all of them featuring in the I Don't Hear A Single Best Albums Of The Year. She is an incredible Singer Songwriter and it is nice to revisit the album that started it all. 

She has also moved on on every single album and produced some stellar Live Performances. Even considering the joy of all the following albums, this is probably my favourite, simply because of the impact that it had when I first listened to it.

I noted at the time that we appeared to be a boys club at times and I have to think that this album changed that. So much so that female artist featured included a big female presence including Tamar. It was delightful to see and hear.

A debut album can be deceiving with so many songs at times being readied up to that point. But the back catalogue now proves the talent has not lessened as her career has progressed. She is also quite unique in the way she appreciates the attention that she gets. 

There is an earthiness to the demos, particularly on Heavy & Abusive. The demos sound even more heartfelt than the finished songs. A little more sparse, but in truth, not a million miles away from the final result. Lower key, but only the instrumentation and the production varies.

Better Off Meditating still sounds as good as when I first heard it five years ago. For the embeds, I've returned to the three embeds that I used for the original review. You hear the beginnings of the major talent that she is.

You can listen to and buy the album here.

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Listening To This Week Playlist 5 October

We hit our busiest period of the year with October until the middle of November being the big time for Album Releases. But the LTTW Playlist continues to excel. The maximum 30 songs again. Concentrating largely on what we are good at, but as always adding surprises and a top notch closer.

The song order is not about song preference, but how the playlist flows.  All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about those who appear here. 

Nick Frater - Mirror Mirror

The Society Of Rockets - She Lives In A Museum

Nick Piunti - Every Sorrow

Spygenius - Mr Blue Sky Thinking Blues

Tamar Berk - Better Off Medicating (Demo)

Noble - Kiss Goodnight

Part Time Signals - Green Light

My Life As A Bird - Breaking Up

Elena Rogers - Here We Go Again

Drifter corp. - Miss Of The Mister

Drifter Corp. · Miss of the Mister?

Passion By Proxy - U&I

Gentle Hen - Best Day Of Our Lives

Vanilla - No Winners Today

Homework - Heroes Welcome

David Delinquent And The IOU's - Shame Of My Youth

Heaven For Real - What Are You Doing?

Langan Frost & Wane - Widow's Bay

Charles Smith - Insane

Exploding Flowers - Information Dark Age

Max Rauch - Willowbrook Mall

Pope - Newboi

XximagexX - Nice Guy

Bill Baird - Live Creates Itself

The Tryouts - Chewing Gum

The Tryouts · Chewing Gum

We Are Dust - Be Still

We Are Dust · be still

Plastic Nancy - Beware Of The Dog

Sidewalk Driver - I Hope You Break Up With Me

Acid Smoker - Deadheads

Flamesquirrel - Funny Farm

Monolyth - Blurry Vision

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Nick Piunti - Under The Wire (Bandcamp Name Your Price)

 

I do like surprises and when the surprise is an unexpected release from long time I Don't Hear A Single stalwart, Nick Piunti. I think I've covered every album here and he was with me before the 2016 start here. It started with a Sugarbush release of 13 In My Head on Vinyl in 2014.

He's even recorded a Live Session for here. So this 6 Track release is really welcome as I get the October Tsunami wave of Reviews in October going. Under The Wire does sound more laidback, not that Piunti has ever been afraid of such.

The story telling is as great as ever, you can imagine the story in your head of many songs. I simply mention laidback, because the man is a fine Guitarist in his own right and you marvel at the riffs and solos, but this release underlines the quality of his songwriting.

As ever with Piunti's albums, there is wall to wall quality, not one throwaway song in attendance, but as always a killer song and this time it is splendid Every Sorrow is the one here. Oozing with melody and a killer chorus, you'll be singing along in no time.

I Couldn't Reach You is stripped down and Acoustic and almost heartbreaking, You're Poison feels more Americana and Slow Learning simply aches. Along For The Ride has a great twang and slight slow Jangle to it. Hope You Got High is beautifully sung and again incredibly moving with a great solo.

Under The Wire feels very pensive, creating a mood that allows you to concentrate on the lyrical strength and underlining what a Singer Songwriter the man is. I'm constantly proud to be able to listen to his songs in admiration. Absolutely Wonderful!

You can listen to and buy the album here. It is available to download at Name Your Price.

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Plastic Nancy - Perpetual Now

 

Los Angeles Trio Plastic Nancy do sound a little 60s Psych at times, wonderfully so, songs hit a groove that is hypnotic. Named after a line in Love's The Daily Planet, there is a 1967 feel at times. They don't really sound like anyone else, yet the variety reminds you of what's gone before. No criticism as 70 years on, all music feels the same.

The variety is exemplary and welcome, but the overall sound is something heard less these days. For instance, Runaway sounds like a mix of Surf and Rhythm And Blues, yet the short closer, Ego Vampire, is wonderful shouty heavy Noise Rock.

Elsewhere, the organ on Love Over Dose reminds you of The Doors, although the song itself is more Psych. Jukebox Heart has some wonderful Steel Guitar on it and does feel very Country Rock. Echoes Of Laughter comes across as slightly The Coral, it has a sort of Scouse twinge.

You may have heard Beware Of The Dog on the LTTW Playlist and it is a great song, pacy, bouncy even and as near a hit single that they might get. There's even room for a groovy 60s Film Soundtrack like instrumental in Chocolate Box.

Hanging In The Balance is a moody brooding joy and In The Breeze has a wonderful Peter Green feel Guitar wise and yet bursts into a killer chorus. Perpetual Now is definitely Psych, but very accessible Psych, a mood is created that sucks you in, making you not want to leave.

You can listen to and buy the album here. The album is available on Vinyl and as a download.

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The Toms - Make My Day

I have been a fan of The Toms since I was 16 when the UK New Wave led me to explore what was happening in the States and finding albums in those days was far from easy. People may bemoan the internet, rightly so for what it has done to the value of music, but you can find anything these days as the output of IDHAS shows.

That 1979 self titled debut album was Power Pop at its very very best and it is amazing to find Tom Marolda still making relevant music 47 years on. Those that are still around rely on touring on the previous songs and reputation, not Marolda

Rather than sticking to recording the same old thing, The Toms have moved on through many directions that are very different to the start. I urge you to look at previous reviews here to see that movement. At times, songs have been more akin to Modern Pop, taking advantage of modern recording techniques.

There has been the addition of synth and treading into Indie Pop and Pop Rock. There are examples of this here, but Make My Day sounds more like a return nearer to that Power Pop that started it all. The whole album is basked in catchy melodic joy.

All I Need Is You mixes Bubblegum with Pastoral Psych Pop, Magic Carpet Ride sounds very 60s Pop, wonderfully so. Apple Tree sounds like 1968 Beatles, Psychy, very hippy trippy. It Just Doesn't Matter At All closes the album with some great 70s Pop Rock.

It is hard to pick out stand outs in an album as strong as this, but I'll risk two. The title track is a superb opener that is extra-ordinarily fine Pop Rock, close to Power Pop. 15,000,000,000 Years Of Evolution is wonderful Psych Pop as heard on a recent LTTW Playlist.

For an artist to be so effective, almost 50 years on, is a massive achievement and still be able to release an album a year, ditto. Tom Marolda has constantly moved on without ever losing what he's great at. This album feels as close to 1979 as he's ever been, yet sounds incredibly modern.

You can listen to and buy the album here. 

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my life as a bird - Willow

 

It is easy think that San Jose's Mike Keller is a new revelation with my life as a bird's third album following 6 months after the second. You can read the review of The Cabana here. But although the three albums have come in just over a year, the recording career stretches back 15 years.

At its heart this 90s Slacker Rock, sort of what followed Weezer's breakthrough. But there is far more than that here with an ability to stretch into Power Pop and Indie Rock. The songs are able to start as one thing and step into another part way through.

For example, Faded Memories Of Loved Ones starts like Classic Pop Rock before launching into something much noisier. The Guitar solo is extraordinarily great and that Guitar work is something that marks Keller out, he can certainly play.

There is even a short Acoustic, almost Americana example of variation in Imaginary Forest and that low key heartfelt style continues on the closer, Little One, the intro being so delicate, but you know that that song is gonna breakout into something massive and it does with a 70s style big melodic solo.

There are always gonna be Weezer reminders, the best example here is It Would Be Easy. There is also top notch Power Pop with Giving Misery and there is also the bombast of Wheel's Don't Roll. There is a touch of you know what you are gonna get, but in truth, that is exactly what you want.

You can listen to and buy the album here.

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31 Reviews In 31 Days In October

 

But it is much more than that as many more are planned. There is a big backlog of Reviews to write, plus October has some incredible albums to come, starting today, It has been quieter here for Album Reviews due to Don being involved in an alternative project which ends tomorrow. 

So the fun starts on Sunday and with him having a completely free week next week, you can watch the posts Ramp Up. A reminder that today is Bandcamp Friday so artists get all the money from your purchase, so it may be worth having a gander at artists that you might have missed.

Writing has not ceased here until Sunday as Reviews are being completed in the background. Thanks as always for the support that you give to the artists here and we will be back with a bang in just a couple of days.

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Listening To This Week Playlist 28 September

The Maximum 30 songs again this week. Perhaps a little more Guitar Pop orientated, but with the usual surprises and as always, a superb closer. The scene has really revved up since the return from the August holidays and we expect a massive October as always.

The song order is not about song preference, but how the playlist flows.  All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about those who appear here. 

Softjaw - Love Can't Kill You

Teutonosaur - Saccharine Stone

Izzy Crawler - Born In A Shell

Late Cambrian - Calypso

The Marra - Last Of The Poets

Hospital Job - Gilded

Bunchy's Big Score - Magnet

Bagful Of Beez - Wonkavision

Jonny Swift - Piggyback Girl

Cashell - Game Show

Eventually Flowers - Chasing Time

Slow Teeth - Window

Total Joy - Shining Light

Total Joy · Shining Light

The Friends - Flower Moon

The Serfers - Mellow

Orange Doors - A Crack And A Peep

Autumn Luz - Cobalt

Pushbike - Pure Hate

K7s - Too Much Weight To Carry

Full Flower Moon Band - Endless Summer

st. davis - I See The Issue

Animated Mayfly Festival - Crystal Skull Persuasion

Purse Thief - Panther Panther

TOY PARLOUR - Galactic Girl

Broadcaster - Lucky Number

The Schisms - All The Good Things

Forre Sterra - Mr Fantastic

Loco Tranquilo - SUENO

King's Evil - Kings Evil

starcrusher - Space Police

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Fuzzysurf - Black Licorice

 

Milwaukee's Fuzzysurf are a quartet that have appeared regularly across the LTTW Playlist's life and I have no idea why I didn't review the excellent Chameleons, I can only imagine it being caught in the January 2025 compiling of the previous years Best Of.

Black Licorice has a story to tell. Originally planned as the follow up to 2020's Sweet Tooth, the album was abandoned in 2023. The replacement of the rhythm section led to a change in direction and the path to Chameleons.

It was decided to revisit Black Licorice with the new line up. Some songs were re-recorded, others removed and replaced with new songs and the result is something really cohesive. The result is something distinctly Rockier, without losing the Guitar Pop that is a strength.

The album sounds a little more Slacker, a little 90s Rock at times, but it also borders Power Pop, both classic and the noisier new fashionable version. Superfaded is an instant classic, built on a killer riff and yet sounding both a bit Weezer and a lot Brit Pop.

Everybody Knows is a darker version of the band, yet adds some great harmonies and the closer mesmerising American Blood broods wonderfully. But there is also great Pop. Self Attraction is nearer Indie Pop and I Really Miss You is built around a wonderfully engaging arrangement.

Sheep Shed is superb Power Pop. I've obviously never heard the original sessions, but it would be interesting to hear them and compare them to the now because Fuzzysurf have delivered a crackerjack listen. Great riffs, great choruses and a joyous listen.

You can listen to and buy the album here.

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The Buttons - Medication

 Whilst compiling the current Listening To This Week Playlist, I was delighted to gather up the Psych Pop on offer. Many of you know my love of the genre and if here is an inkling of a revival, nothing would make me happier.

People say the genre is Retro and of course it is, but there is something special about what it brings. It adds more depth to the I love you, yes I do that Power Pop struggles to avoid and concentrates more on a vibe, perhaps more on the instrumental arrangements.

David Walsh's The Buttons are now on their fifth album and it isn't often that Glasgow leads the way with Psych Pop. The mastery of The Buttons is that they remind you of many other things. This is a mellow version of the genre, built on flower powered riffs.

But there is plenty of directions to explore, Paisley Pop obviously, but also the trippy 60s. At times, you are reminded of the better Madchester bands, riffs can also be a little Goth and a song like Voodoo jangles as well as the Jangle Poppers that are still around with a killer riff partway through.

Vocally, I'm reminded of my beloved Orgone Box at times. Psychedelic Sunshine mixes 60s hippy with 70s Pop Rock in a wonderful soundscape. The title track closes proceedings and builds and builds from something insular into an all encompassing joy.

Colours opens and gives you an indication of what you might expect, Lava Lamp adds a slightly mellotron feel to the mix and She Plays A Tambourine is an obvious single. An album to be listened to from start to finish, sack your playlists. Medication is an absolutely wonderful listen.

You can listen to and buy the album here. The album fully serves a physical release.

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Listening To This Week Playlist 21 September

What a great week for Submissions and Releases. The Maximum 30 songs this week. Possibly one of the best ever LTTW Playlists. Guitar Pop as you might expect, but plenty of scope for the other genres that are beloved here, for instance a fair sprinkling of my beloved Psych Pop and as always a superb closer.

The song order is not about song preference, but how the playlist flows.  All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about those who appear here. 

Loose Lips - Tired Of Toein' The Line

Big Nothing - Won't Be Around

The Toms - 15,000000000 Years Of Evolution

Chromette - Mysterious Delerious

dilute_calico98 - myrtha

The Tubs - Who's Gonna Love You Now

Naïve Men Leading The Blind - Fairytale Love

Naive Men Leading the Blind · Fairytale Love

The Wheelworkers - So Wrong

Travis Seal - Powerball

Barlow - Billionaire's Hand In My Pocket

Tom Minor - What A Little Moonlight Could Do

Sona Bliss - Without You

Charming Arson - Thessalian Trick

Defecting Grey - The Difference Engine

The Speedways - Angela, Sincerely

Little Quirks - Game Boy

Little Quirks · Game Boy

The Buttons - She Plays A Tambourine

Ray Kenny - Wall Of Sound

The Rainlamps - You Wrote My Favourite Song

Pseud - Shadows Plateaus

The Spitting Pips - Sidelines

The Crystal Teardrop - Tomorrow Starts Today

Finn's Motel - Thanks To Gravity

Never The Bridle - Funny Bizarre

Misery Prize - Thought Police

The Deathray Davies - Red Lights

Hollow Hand - Kiss The Boot

SnakeOil - Sleeping Nothingness

Fruited Planes - So You Say

Ventilator - The Tailor's Lament

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