Google Tag

Friday, 28 February 2025

31 Reviews In 31 Days In March

 


March and October are the traditional I Don't Hear A Single 31 in 31 months. There may be days without a review, but overall at least 31 Reviews will be posted over the whole of March. There will also be the five Listening To This Weeks.

February suffered a bit volume wise due to more energy than ever being spent on the Best 100 Albums Of The Previous Year. There was also the dreaded hearing problems which held back reviews. There are some splendid album releases that have March related dates and a few that were released today.

There is also plenty to catch up on that haven't appeared yet. Thank you for your continued support. as ever. This place is artist led and getting them the attention that they deserve. However, we are never short of delight at how this place continues to grow as it approaches 9 years of age.


...........................

Wednesday, 26 February 2025

Slow Motion Film - Eastman / Untitled # 1 EP

 


Slow Motion Film may not be a name familiar with you, but their past will be. Three quarters of the band are from Stourbridge's Amoeba Teen and that band was beloved here through many appearances on our old Radio Show and that wonderful self titled final album on Big Stir.

The album appeared in our Top 20 in the 100 Best Albums of 2022. The review is here. The album was a real Pop Rock favourite of followers and indeed remains so. The trio follow a slightly different direction, but signs of Amoeba Teen are still there.



This is most notable on The Ba Ba Ba song which has all the Guitar Pop characteristics of their ex band. Be The One also isn't a million miles away, but more rocked up in an 80s Indie sort of way. Both songs work really well, revealing a moving on, but without losing those pop sensabilities. 

It is the other two songs that show the most marked movement. Painting Tattoos is much slower and after beginning life with an ambient soundscape, it still contains some of that. But the Indie Rock envelops a really effective counterbalance and is built on a cracking riff.



How Now (Baby Blue) sounds much more American, West Coast almost. It also could be a slightly mellower Crazy Horse at times with a slightly Country Rock twang to the solo. Different to what has gone before, far more Rock, but underling how varied the trio are now.

This is a great debut EP and a second is currently being recorded. The variety is most welcome and may help a much wider audience to appreciate the talents of these three. Normally, when a key member leaves, the impact lessens, however here the signs are that Slow Motion Film may prove even bigger.



You can listen to and buy the EP here. With Be The One appearing on this week's Listening To This Week, I've gone for embedding the other three songs.


...............................

Tuesday, 25 February 2025

Listening To This Week Playlist



Delayed and slightly shorter due to an untimely ear infection. A reminder of how important your hearing is. 26 songs this week for your aural delight.

I do hope that you can listen to all the songs across this week. The last listed is as great as the first and you have plenty of time to listen. This weekly playlist is solely for submissions, not the usual stuff that we dig out ourselves. 

All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 


Dropkick - Highs And Lows




The Speedways - Visiting Hours




Fib - Mutuals




Slow Motion Film - Be The One




Bird Streets - On The Promenade




Magic Fig - Goodbye Suzy




Brian D'Addario - Till The Morning




Matthew Heller - Machine Gun




Palejoy - Max Payne Au Chocolat




Janus 4-14 - I Never Wanna See You Again




Fuzzysurf - Blaming It On You




Tugboat Captain - Dog Tale




Cabin Beat - Reach Out




Mortimer Nyx - F Girl




mikuljonz - Deadbeat Shuffle




Private Lives - Psychic Beat




Keegan Powell - My Maker




Copper Lungs - Broken Beautiful




Roofs - Tomorrow (Live At Sterling Studios)




Giverzz - White Slush




Nervous Bride - You Did It To Yourself Again



Delcobras - The Turnaround




Alan Jenkins And The Kettering Vibes - The Diorama Of Wobbly Fact



Poster Club - Circuits




Sunnyvale - Mama Tried




Inland Years - Keep Your Eyes On The Road




..................................................

Thursday, 20 February 2025

Dropkick - Primary Colours

 


The greatest compliment that you can pay Dropkick is that new artists are as likely to be compared to them as Teenage Fanclub. They are certainly more prolific and after initially being slightly under the TFC shadow and being compared to them, they have more than earned the right to stand alone and at times above.

Some may unfairly say that you know what you are gonna get as though that is a sin. When you are as good at what they do why should they not do what they are great at? As if to prove those critics and smug soles wrong, Primary Colours may be the trio's most diverse album yet.



Long term fans can be reassured that there is more than enough of what they like and crave. The joyous jangling of the opener, Left Behind, shows that the West Coast has not been forgotten. But elsewhere there are big surprising treats.

Never more so on Highs And Lows on which Alan Shields takes lead vocals delivering a sort of Dave Edmunds style rocker with its Punky opening and its Indie Rock out. Snowflakes is fuzzed up heaven and Vanishing Act may be West Coast Rock, but it could be Crazy Horse backing Andrew Taylor. 



Their ability to Jangle has not been lost, but at times it takes on a more commercial slant, particularly on the anthemic Dreams May Expire and Waiting For The Rain more than reveals that they have not forgotten to write memorable choruses.

Plus if you like your vocal harmonies, just head straight to the title track. There's something really special about a band amazingly into their third decade still offering up splendid songs. Yes they have not forgotten what they are about, but they also reveal there is much more them than just that. Wonderful!



You can listen to and buy the album here. The album is available on Vinyl, CD, Cassette and as a download.


..........................

Scott Keesler - Come Along


 This is definitely the first album that I've covered by an abstract sculptor, but New Jersey's Scott Keesler has many other Art related projects, the latest being Come Along, his debut solo album. As part of a quartet, this is an album that will float many of our boats.

At times, it reminds me of the likes of Guided By Voices and Mythical Motors. The vocal is gentler and certainly lower volume wise in the mix. Songs are built on riffs that are gripping and at times get slightly heavier.



Therefore, at times there is a slightly 90s scuzzy feel, those riffs certainly resonate, but Keesler's vocal keeps the album on the melodic side. You find the songs gripping, almost hypnotising. However, a song such as My World reveals some fine harmonies in a song that instrumentally sounds a little Status Quo and you can imagine Ian Hunter on piano.

Beggin' (For My Baby) even kicks off with a Bass riff making to The Jam's Start (so also The Beatle's Taxman) before venturing into a harder sound. Dirty Looks almost gets into Masters Of Reality territory. But overall, the album is engagingly melodic and adds a storming short guitar solo.



The tile track gets all Power Pop and Eyes is a built on a chiming riff and is effective Indie Rock with adds engaging harmony vocals whilst breaking out splendidly. There is lots to like here and Keesler sounds like he's been doing this for years, which is a great complement for a debut album,



You can listen to and buy the album here. It is available on Vinyl, CD, Cassette, 8 Track and as a download.


............... 

Magic Fig - Magic Fig

 


Further to my last post about Genres, I'd like to tell you about a magnificent album from last year. Magic Fig are a five piece from San Francisco and this exceptional debut album has been largely labelled as Prog, some of it is such as is the base.

But this differs from your average Prog album for two reasons. Most of the band are from a Power Pop and Guitar Pop background and it shows. Secondly they are fronted by Inna Showalter and her vocals are a revelation. She has a voice that can lend itself to anything. You wouldn't be surprised to hear her singing Dream Pop.



Generally, female fronted Prog bands follow certain paths. They want to be Annie Haslam era Renaissance or rock their sound up and get a bit shouty. There's also a tendency to get multi layered vocal. The band allow Inna to be an Inna and the results are that many of these songs could be pitched in different genres.

For all this joy to come in a debut album is really unusual. The opener, Goodbye Suzie, is all 60s Psych Pop, but also hints at dreamy 80s Pop. Yet the arrangement and vocal on Obliteration is like a slowed up Saint Etienne. There is Prog bursting to get out, particularly via the bassline and halfway through it does to great effect.



PS1 is ace Jangle Pop mixed in with vintage Psych Pop whilst sounds spring from everywhere. Distant Dream edges into Canterbury Prog with some top notch mellotron Labyrinth is the standout for me all 60s Toytown, wonderfully so.

Departure rounds things off acoustically, allowing that voice of an angel to stand out even more and ends appropriately with the flute. This is an album that demonstrates how melodic Psych and Prog can be in a way not always noted by the label. There is great Pop here too. Absolutely splendid!



You can listen to and buy the album here, It is available on Vinyl and as a download. 


....................

Genre Hopping

 


The most frustrating thing for artists is submitting songs or albums and getting constant replies about how their song is great, but doesn't fit the site / station. Some of this can be avoided by not using a scattergun approach when this reply becomes more obvious. But there is also a reverse effect when artists know their genre and only submit to like minded people who cover that genre.

An artist mentioned to me recently how he likes how he recommend other areas that albums may get a fair hearing. Labelling anything is a pain and I wish it was unnecessary, but you have to aim somewhere and there will be an area where a song is predominant. But many artists don't aim for the edges.

Many of you know how much I love Prog and Psych and I include it here whenever I think it may be appreciated, but these albums fit other areas. These genres can fit Classic Rock, Indie Rock, Pop Rock, Alt Rock, UK Beat. Prog albums fit Psych Pop many times, Psych albums fit many other genres.

It is important for artists to do their research, actually look into where they are submitting, discover a bit about the place. Much better to send to five to places that might appreciate the music, than fifty who mainly won't. Remember most of the smaller sites / stations are largely door openers and followed by peers who will also pick up on the music. Don't underestimate word of mouth.

Generally, potential coverage is declining as are sites that make a difference. Look at how Power Pop is covered now to how it was a decade ago. So if you only submit to your chosen genre, how is your audience going to grow?

A final point about submissions in general. There are many who don't have Spotify, us included. We believe Spotify does little for new and under appreciated artists. Great music goes down a big black hole. So put your music everywhere and tell potential listeners / buyers where they can buy it. Sending just a Spotify link may not get you many results.

Also, Social Media is the biggest pain in the arse ever. But one of our most frustrating and time consuming things is the time we have to spend finding the social media accounts of artists and where the music is. If you are on Bandcamp etc, mention and link it. Note all your social media accounts. There are many times where we can help the artist if we knew where to direct people. 


............................


Wednesday, 19 February 2025

He's Dead Jim - Head Like A Toyshop



Aberdeen's He's Dead Jim return and you are as always in for quite a journey. Variety may very well be the spice of life and if so then Head Like A Toyshop is very very spicy. Melodically and without missing a beat they switch from genre to genre with ease.

On the odd song you can compare them to other bands that we like who are similarly able to offer considerable depth such as Spygenius and Emperor Penguin, but this lot take it to extremes. Don't dare to try to label them because the next song will be nothing like your nailed genre.




Let's offer up some examples. Paradise Fayre is top notch Toytown yet Ticket To Explode could Pete Wylie Wylie and WAH!. Wire Buddha could is West Coast Jangle and heads towards fellow Scots Teenage Fanclub.

Haywire is splendid 70s UK New Wave, but Tomorrow Is Yesterday mixes The Farm with big 70s funky Pop Rock.Why I Gave Up mixes Stiff Records and Marmalade with some wonderful Brass. There is even a Part Two which is very different, all Folk with a touch of INXS and a cracking vocal from Jenny Channel.




On The Beach gets all Undertones, whilst Seventh Night Of Sin gets all 1 2 3 Classic Power Pop. Adam Eternal is classic 60s Psych Beat and Back To You follows a similar direction is followed, but with a more modern slant. Swim To Oblivion sounds very 1978, but also gets close to another Scottish band, The Supernaturals.

There is even a faithful rendition of Blue Oyster Cult's Don't Fear The Reaper. I've embedded three tracks as always, but these could have been any of the others and don't tell you enough about how great this album. It takes astounding talent to make an album half as good as this. Feast you ears!




You can listen to and buy the album here. It is available on CD and as a download.

..................

Monday, 17 February 2025

Listening To This Week Playlist



A really strong week with 33 selections for your aural pleasure. Some familiar faces, but largely as is our aim, artists that haven't appeared before.

I do hope that you can listen to all the songs across this week. The last listed is as great as the first and you have plenty of time to listen. This weekly playlist is solely for submissions, not the usual stuff that we dig out ourselves. 

All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 


Elena Rogers - Trying Always Trying




He's Dead Jim - Paradise Fayre




Joe Kelly & The Royal Pharmacy - Little Fears




Tunnel Trash - Someplace




Jumbo Chords - Throw Away (Buy Another One)




The Jellybricks - Dreaming In Stereo




Chris Church - Sit Down




Lunavela - Lavender Haze




Oohrami - Mess




Cmon Cmon - Turn Off The Lights




The Tubs - Freak Mode




Disco Nexus - Menina da Consolacao




Gyasi - Lightnimg




The Vapors - Hit The Ground Running




Tom Henry - Art House




Borderlines - Okay, Socrates




Forty Foot - Operator




Jonnythefirth - Happy When Sad





The Vices - Before It Might Be Gone




Martin Leary - Butterflies




Lilac Attitude - Childish Brains




Gentle Hen - It Only Takes A Little Words




The Electorate - Peace Love And Kindness




Flyin' Hot Saucers - Fried Man's Eyes




DESU TAEM - Justify Yourself




Saxon Mother - Big Shot




Lia Sky - World Of Socializers




Jacob D. Edward - Self Portrait




Daniel Feinberg - Tell It All




Paul Linton - Down The Lane




The 2 Plus 2 Club - Echoes In The Void




Shooble - Subtle Rhymes




Kohei - Shelter





..................................................

Saturday, 15 February 2025

Elena Rogers - Always Trying EP

 


I only have to ask myself one question. How did I not know about her before this EP. particularly with Jamie Hoover being involved, who is more than well known to us? If a song had not been sent in as a submission for the Listening To This Week Playlist, I would probably still be in the dark.

Apart from realising that I don't know or hear everything under my own steam, this is one of the rare times that an artist hits the bullseye here. It is everything that we love in spades, Intelligent Pop, Prog, Psych Pop, Indie and the arrangements are quirky, unexpected and totally enthralling. 



It did have me questioning how well we support female artists, whether solo or leading a band. We've never been accused of being male dominated, but we sort of are, despite our success with the likes of Tamar Berk, The Beths and Corner Laughers. It isn't our intention ever to be sexist, personally I think it's the material that we get in, but maybe I would say that.

In defence here, Elena Rogers is not like any other female artist that I've heard. When I think of Prog and Psych in particular, female vocalists tend to go for shouty vocals or something whispering and ethereal, neither which would appeal to us.



The arrangements across the four songs would take a listener a week to direct. Complex, yet incredibly melodic. Direction changing in an instance. The song that I was sent is the opener Trying Aways Trying is mind-blowing. It is like five songs in one and particularly Toytown.

Technical Thing is a little more straight ahead, certainly lyrically and it is incredibly adept. There's a circus atmosphere to the arrangement with a particularly wonderful brass arrangement. It comes across as more personal, but still has all the tricks and quirks in what Rogers does.



A Little Bit Of Lovely changes tack big time. More Indie Pop, New Wave maybe, but unbelievably catchy and sassy. The Way I Feel Inside is almost a ballad, a show song even. The most accessible song on display and more vocal led showing the full variety of Rogers's talent.

Always Trying is an absolute identikit of the music that we adore. It may struggle elsewhere with listeners who want to label music. But listeners here are far more adaptable and when they hear great know it. I'm off to listen to all of the back catalogue. It's very rare for me to embedall four songs of an EP in the review, usually just two, so you can tell how highly I rate this release.



You can listen to and buy the EP here.


.....................

Borderlines - Repair Kit EP

 


Two EPs tonight, both caught my attention via the upcoming Listening To This Week playlist. Unknown to me prior to that listen, I decided to dig further to the releases that both were on and it really is so fulfilling and it was originally part of starting LTTW was about as well as offering up single songs on what is predominantly a home for Album Reviews.

Borderlines are from Portland Maine and the quartet call themselves Pop Punk veterans. Although this wonderful EP has far more in common with the new breed of slightly more aggressive Power Pop that has grown considerably over the past year or two.



This would sort of fit into a narrative I've preached for a while that as Pop Punk bands mature, they become less in your face and more suited to both Guitar Pop and Indie Rock. That isn't true in all cases and many bands don't survive the journey, but those that do offer up great melodic and all together now songs.

Cut You Out blasts in with its big hook and storming rhythm section and certainly gets you in the mood. OK Socrates was the song recommended and is more scuzzy, a little Replacements like at times with a UK New Wave 70s Riff and a 90s Sound, it is a stormer of a song enhanced by a cracking solo.



Not Our Fault is more in your face, a bit more Green Day with a killer chorus that you can imagine to be a big crowd singalong live. Another incendiary solo is included. Tragedy is the shorter closer, a little more Pop Punk, a little more punk too instrumentally.

All four songs will float the boat of lovers of the new Power Pop, but fans of Pop Punk, Indie Rock and melodic songs will adore this two. It is also available as a 7 Inch EP in three colours. What's not to like? A crying listen from a band who know what they are about!



You can listen to and buy the album here.You can buy the 7 Inch Vinyl EP here.


........................

Thursday, 13 February 2025

Shining Glass - Yellow And Purple

 


It is always pleasant to have a break from the riffs and solos to listen to something inventive and gentle. Tucson Arizona's Drew Johnson's Shining Glass Project provides exactly that with the aid of five musicians that include someone well known to us.

Roger Joseph Manning Jr is part of Shining Glass, adding Piano and Keyboards across the mini album. An album that offers outstanding arrangements that are hypnotic and melodic, but also unusual. There is a largely acoustic feel across all six pieces.



At times, there are Psych and World Music slants, particularly with some wonderful Old playing from Gal Hever, particularly on Three Died with its obvious Middle East bent. Manning Jr adds to the feeling with some unexpected keyboard sounds.

The Pop isn't necessarily clear across the album, but it is clearly there on Garden Of Knives, with a more expected keys led arrangement and Drew Johnson's voice would lend itself to Power Pop if it were not for the depth and intensity of the arrangements.



The standout is possibly Two Birds, the most Pop Rock of the six tracks, certainly the most straight ahead and as with a lot of the album there is a gentle, almost pastoral, Psych Pop vibe. Yet Drawing Fires is possibly the most Psych, almost Prog Folk at times, superbly soothing and yet gripping.

Don't expect Riffs, but do expect an extraordinary soundscape, moody and melancholic, almost mantra like in parts. Yellow And Purple is a splendid listen, best heard in one go than selecting tracks. Proof that music is not just about noise or choruses, but a general feel and touch.



You can listen to and buy the album here.


..............

Weird Bloom - Stargate

 


As mentioned before, the past 12 months have seen a real resurgence UK Glam Rock related bands. It is almost 1974 all over agin. Some are retro, others put their spin on the genre, others get close to bands from  the heyday, particularly The Glitter Band. 

Italians, Weird Bloom have been around and mentioned for 6 or 7 years, but this resurgent brings them more to the fore. The main difference to 1974 is that this new input is led primarily by albums whereas originally Glam Rock was really built on singles.



Although Weird Bloom do have the drum sound and handclaps down to a tee, they sound particularly Bolanesque with a secondary helping of Sweet rounded off with nods to the likes of Mud. Instrumentally, though they can play and at times get rockier on the solos than peers. 

They are also helped by the vocals of Luca Di Cataldo who has a voice nearer to Power Pop at times. The Sweet similarity to Sweet is most notable on Fire In The Night which is very close to Hell Raiser, but at other times, there are hints of the likes of Little Willy.



Saturday Night Is Breakin'  is built on a Ride A White Swan-ish riff and of course Glam Rock is always about Saturday Nights. Summer Be My Hammer is again very T. Rex riff like. with a chorus that gets a bit Hot Love. Young Men is very Glitter Band like and Dum Dum Boogie, more than a little Mud.

Although this could sound like others, doesn't that apply to most music this far on? It is beautifully and faithfully done with edgier Guitars. Most importantly, it is singalong, foot tapping and fun. What more could you want to chirp you up?



You can listen to and buy the album here. The Vinyl Release is now available from the band on Facebook or Instagram.


............

Monday, 10 February 2025

Listening To This Week Playlist



Welcome to the new Listening To This Week Playlist. 32 songs that are itching to be heard. A familiar face starts us off in what is a splendid variety packed listen. It really feels like 2025 has kicked in big style this week.

I do hope that you can listen to all the songs across this week. The last listed is as great as the first and you have plenty of time to listen. This weekly playlist is solely for submissions, not the usual stuff that we dig out ourselves. 

All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 


Bob Mould - Neanderthal




Publicity Department - Two Little Birds




Mythical Motors - Finer Thrills




The Taxpayers - At War With The Dogcatchers




Push Puppets - All Together On 3




Current Swell - 10 Feet Tall




Petite League - Paradise Park




Brian Noyes - Dollhouse Man




The Purple Helmets - In The Queue




Underdown - Life In The Can




Saxon Mother- Your Fight's Gone




Atom Lux - Stoned Monkey Heritage




Gary Air - Riding My Bike




Abby Payne - Jane




The Deneuves - Sparkles




Midland Railway - Bedroom Analysis




Barking Poets - The Mess I Made




Forever Now - Signs Of Regret




Myriads - Spider




Baker Island - Eternal Affairs




The Lines - Long Lie




REGINA - Age Of Aquarius




The No Good Crowd - All Right Now




Lone Striker - Dunno




Blue Orchid Reaction - Walking In Theur Heaven




Risley - Candy Hearts




We Found A Lovebird - Details




West Mark - Lost In The Sound




Sunday,June - Motion Echoing




Echoplay - Neon Dream




Davinci's Carousel - Subway Ride





Rosetta West - Desperation





..................................................

Sunday, 9 February 2025

Them Elephants - Sugar

 


Having covered Them Elephant's second album, Come Calling, here, it is great to listen to the follow up from San Francisco's Alex Charlow. It is, again, not quite what you might expect from the West Coast relying on great melodic Indie Rock with killer riffs.

The title track maybe best explains what Them Elephants are most about, all riff and handclaps, slightly Power Pop, yet very Indie Rock with a killer big chorus. A bit retro, yet also sounding modern. Charlow can play with some stunning solos, but these are never to the bereft of the song.



The Way You Move appeared on a recent Listening To This Week Playlist and that fuzzed up riff matched up with another killer chorus still sounds great. Make It Last is celebratory 90s style all together now where the chorus and the riff just get you on your feet.

There isn't a lot of variation, but when you know what you are good at and have the formula to offer up great 3 minute listens, why step off the path. Too much of Indie Rock is either moody or sounds like everybody else. Sugar doesn't and that is to its absolute credit.



You can listen to and buy the album here.


.............