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Showing posts with label Tristan Armstrong. Show all posts
Showing posts with label Tristan Armstrong. Show all posts

Friday, 16 January 2026

I Don't Hear A Single Best 100 Albums Of 2025 : 71- 80



The Countdown continues. Here are numbers 71 - 80, a little later than usual. Numbers 61 - 70 will be up at an earlier UK time tomorrow.

With it being our 10th year we thought that we could back to the old images that were posted as a bit of fun with the Audio Extravaganzas. A reminder of the old, much quieter, days for us and hopefully a bit of fun for newcomers. 

71 Daily Worker - Field Holler      IDHAS Review



72 The Grip Weeds - Soul Bender      IDHAS Review




73 Press Club - To All The Ones That I Love      IDHAS Review



74 Tristan Armstrong - The Lonely Avenue      IDHAS Review



75 Brass Camel - Camel      IDHAS Review



76 Skeleton Staff - HEPTO-ALTRUISM      IDHAS Review



77 Sector Frontier - Sector Frontier    IDHAS Review



78   The Radio Field - Air And Sunlight     IDHAS Review



79 Push Puppets - Tethered Together      IDHAS Review



80 Sweet Nobody - Driving Off To Nowhere     IDHAS Review



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Tuesday, 11 March 2025

Tristan Armstrong - The Lonely Avenue

 


Oh Look! Canada again! The co-founder of The Actual Goners, Toronto's Tristan Armstrong offers up his solo album and it is terrific. If you listened to the opening title track on the LTTW, you'd be forgiven for thinking that this is an album of great Power Pop, but it is much more than that.

That song sounds like Chris Isaak fronting a crack Guitar Pop band produced by Jeff Lynne. The Power Pop doesn't stop there with the maybe even better, Queen Of Diamonds built on chunky guitar and On The Run is superb Jangled Pop.



Yet elsewhere, there is a real similarity to Bird Streets, a particular favourite amongst out followers. This is particularly relevant on both Periscope and Sing In Your Sleep. Yet The Lender sounds more West Coast, jaunty Americana even, it fair jaunts along.

There is also a Country feel to the likes of Would You Take An IOU and Gimme A Sign courtesy of some wonderful Pedal Steel. The former closes the album with a meandering melancholic splendidness.The latter even flirts a little with 80s AOR, a little Don Henley maybe?



Armstrong's vocal helps the variety, there's a really engaging twang to his vocal at times. The album is beautifully produced and arranged allowing the songs to breathe, allowing space as much as melody. I can see this album being a real winner amongst followers here. The Riff count is also high, just as we like.



You can listen to and buy the album here. It is available on Vinyl or as a download.


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