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Showing posts with label Pilot. Show all posts
Showing posts with label Pilot. Show all posts

Saturday, 8 April 2023

Ian Bairnson RIP

 


I was fortunate enough to discover music under my own steam just as Glam Rock was taking over the UK. I say fortunate because although Glam had spent a good while since being laughed at, there was no better time to become enthralled in the joy of music and Glam Rock was about the joy and fun. It was singles led, but it concentrated on choruses, great Pop with big riffs. You could sing along, pretend to play the guitar and be taken into another world away from the grim reality of the council estate. By 1974, albums had started to take me in other directions via the likes of Sparks and Mott The Hoople, but then I heard a single by a band that looking back, probably made the biggest mark on my music fandom. 

That band was Pilot and that single was Magic. It was quickly followed by January and I was completely hooked. I can look back now and acknowledge that the Power Pop and Pop Rock that I write about to this day. Both songs were incredibly catchy, but it was that guitar sound and the riffs of Ian Bairnson that affected me most, particularly that intro to January. I instantly became a Pilot fan, something that stays with me to this day. Getting news and information on bands wasn't that easy in those days. I wasn't led to Alan Parsons Project by the Pilot connection, instead it was via the John Miles connection, but I was delighted to discover that David Paton and Bairnson were heavily involved.

The Project was exactly that a collaboration of musicians, but Bairnson was the only musician who played on every APP album, his guitar work lighting up the concept albums. I'm currently in the middle of reviewing The Turn Of A Friendly Card album and the closing solo on the reprise of the title track is worth the admission alone. Bairnson was also a part of Kate Bush's first four albums and played that wonderful closing Guitar solo on Wuthering Heights. In the Eighties, he also became involved with Bucks Fizz, co-writing If You Can't Stand The Heat and Run For Your Life.  Adding to his songwriting canon for both Pilot and Alan Parsons Project.

He remained an in demand Session player sprinkling Guitar gold dust on albums from the likes of Joe Cocker, Neil Diamond and Jon Anderson. He was a brilliant live Guitarist and also played Live with Eric Clapton, Sting and many more, It was announced by his wife Leila in 2018 that Ian was suffering from a degenerative neurological condition that meant that his public playing days were over and this has resulted in his untimely death, 69 is no age. I personally thank him for all the musical enjoyment that he has given to me for almost five decades. Those Pilot albums are never far from my reach. But most of all, I thank him for what I do now and what hearing Magic for the first time meant to me. 


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Tuesday, 26 July 2016

William Lyall - Solo Casting


As well as celebrating the new, old and current here, we do like our great lost albums and none are more great than Billy Lyall's 1976 solo album.

It all started in 1969 when he and David Paton were part of a fledgling Bay City Rollers. Both left in 1971, well before the Bye Bye Baby mayhem. The reason that Lyall gave was that he didn't want to be a teenybopper.

Paton and Lyall went on to form Pilot. The duo wrote all the Pilot songs on the first two albums, From The Album Of The Same Name and Second Flight.


Pilot's other three band members went on to other things after their first split, after four albums, in 1977. Paton and Bairnson played with The Alan Parsons Project, Stuart Tosh and Lyall also played on the Tales Of Mystery And Imagination album.

Tosh eventually became 10CC's drummer, whilst Bairnson played guitar on the first four Kate Bush albums. Paton recorded with Elton John in the 1980's and Rick Wakeman in the 90's, as well as following an intermittent solo career and reforming Pilot for a short while with Bairnson.

Billy Lyall left Pilot in 1976 after the first two articles, again giving the reason that he didn't want to be a teenybopper.

He set about planning his solo album.



It's great Pop Rock and as with many great albums, it sold buttons.

Part of the problem is that you or I can appreciate how diverse it is. To the general public they just wouldn't know what hit them and who'd care about the keyboard player from Pilot?

You can hear Pilot at times, well he did write the two albums to date, but it's so much more than that. At times, it is Todd Rundgren, other times Elton John. A soppy ballad will be followed by something so vaudeville that you'd think that the Bonzo Dog Doo Dah Band were backing him.




Pilot still have a loyal following these days and for those who thought Lyall was too left field for Pilot, have a look at this from the band's second album. It wasn't all "January"




Billy Lyall went on to play keyboards for Dollar between 1978 and 1982 and sadly died of AIDS in 1989.

Solo Casting is not easy to find, so I've putt the full album from You Tube at the end of this post.

If you shop around you can find it on vinyl for under a tenner. It was released by See For Miles on CD in 1996 and on Muskat Records in Japan in 1997.

The Japanese Release is easier to find, but expect to pay at least £20 for it and it could go up to £50.

In the meantime here's the full album. I'd love to make it available in a proper audio format, but rights to the album make this tricky.