Thursday, 19 July 2018

I Don't Hear A Single Radio Show Episode 52



A break off from the backlog of Reviews to tell you about tomorrow night's Radio Show which is speeding it's way across to KOR Radio. 18 new songs for your aural stimulation. Thanks to my good friend, Sal Nunziato for discovering this week's Cover Photo.


I Don't Hear A Single Radio Excitement is broadcast on KOR Radio at 8pm UK Time on Fridays, repeated at the same time on Saturdays. Due to increased popularity, a Monday Night Repeat has been added at 8pm.

You can listen to it here.

Also, a reminder that the show is archived the following week on Mixcloud. You can listen to the other fifty shows and two Xmas Specials here. Last week's IDHAS 51 will be up on Mixcloud later tonight.

Here's this week's playlist :

01 TGL - Hic Medeiros
02 Circa 62 - Two In The Clip
03 Danny Wilkerson - Too Much Of A Good Thing
04 V Sparks - Hollywood
05 The Davenports - I Don't Know What to Do
06 Jeff Whalen - Soylent Blue
07 Lannie Flowers - The One
08 Lovebites - Just Fall
09 The Speedways - In Common With You
10 Crystal Drive - Execute
11 Ex Norwegian - Marquee 1970's
12 The Stoplight Roses - Kronos
13 The Skullers - I'm Your Man
14 Optiganally Yours - How Do You Feel
15 Dave Paulson - My Old Man
16 Michael Slawter - Summer's Kind
17 Three Hour Tour - You Never Know
18 Valentine - Black Dog



The Speedways - Just Another Regular Summer



I get incredibly frustrated with the UK. I've stopped fighting on forums about Guitar Music being dead, Power Pop being irrelevant and that people won't attend gigs. If I see another Classic Band Poll, I will scream. What's wrong with now, build it and they will come.

So I'm delighted to be in familiar Power Pop Territory here and keeping up with a recent theme, The Speedways do not sound like something that comes from Nottingham or Leicester, home of The Junipers and Diesel Park West. We'll forget about Kasabian, because we like to.







Just Another Regular Summer is pure US New Wave Power Pop. Think 1979 - 1983, everything from The Beat and The Romantics to The Plimsouls. The Speedways are the brain child of The Breakdowns' former Guitarist, Matt Julian and I don't think I've enjoyed a Power Pop album as much since The Stanleys outing last year and to emphasise, this is from the UK, home supposedly of Grime and The X Factor.

This is no nonsense, Summer Pop, chiming riffs, big choruses, say what you've got to say and move on to the next, no extended mediocrity here. This is an album of a dozen 45's, each brimming with joy about the Power Pop staples of looking for or losing love.






Julian's Tom Petty like vocal suits the material beautifully and the arrangements are spot on, even to that wait for the solo moment. It's hard to pick a favourite song, but I am smitten by the Duane Eddy twang of One Kiss Can Lead To Another.

Lonely Girl is pure New Wave Synth twee, A Double Shot is Merseybeat, All I Want is Bubblegum Ramones. However, it's the straight ahead Power Pop of the title track and In Common With You that appeals most, simply because it's so long since I heard a UK band do it so well.






I've seen mentions that Just Another Regular Summer is a one off. I do hope not. This will be in the end of the year list. Highly Recommended. You can listen to and buy the album here. It's currently available for a bargain £6.



Wednesday, 18 July 2018

Cuddly Shark - Cuddly Shark



I've said before that away from IDHAS, I don't just listen to Power Pop and Pop Rock. I have a real love of both Prog and Left Field Indie. I'm also old enough to blab on about how it's not as good as the old days and blab on and on about Stiff and Postcard.

Well firstly, a big round of applause for Glasgow's Armellodie Records Label because they are the Stiff or Postcard now. In over a decade, they continue to challenge the norm, supporting a wide range of artists, all different and all deserved of a listen.






Cuddly Shark are certainly left field, you wouldn't believe that the trio are from Glasgow. They have far more in common with the States. Think B52's, They Might Be Giants, Jonathan Richman with a Beck like ability to go off on a tangent.

There's also a real wit to the band, akin to the like of Colin's Godson and The Bordellos. Hobo Rock is hilarious as are Name Dropper and Cover Band. There seems to be hundreds of different ideas fighting to get out in these wonderfully lo-fi set of songs.






That's not to say that there isn't plenty of Pop here. There is, Once We Were Two and Not Yet Three stand equal with any Indie Pop that you wish to name. Wash Off The Mash Tun is a real sing along, a bit like a Pop Punk fronting a Folk Rock band.

The Rhythm is a great hypnotic opening song and across these 13 offerings, you are taken on quite a journey. You could spend a half hour watching Emmerdale or you could be entertained and educated by listening to Cuddly Shark.






You can listen to and buy the album here.



TGL - The Grand Leve




I have been a long time admirer of Ulf Holmberg, the man never seems to sleep. As I mentioned in the review of the Crime Scene album here, he's more noted as a Guitarist, but he keeps cropping up on great Pop Rock Records. Crime Scene's album was one example, but the Longplayer self titled album remains one of my favourites and now this.

TGL are a trio consisting of Holmberg with fellow Longplayer, Goran Hjertstedt and Europe drummer, Ian Haugland. The Grand Leve very much mine 70's Pop Rock territory. Jeff Lynne constantly springs to mind, particularly with the arrangements, but Jigsaw, John Miles, 10CC also compare.







Valhalla Feast Of Sacrifice is pure ELO, as is Ride The Wind, All In The City is pure 10CC. But Hic Medeiros is great Chanting Folk Rock and the closing Instrumental shows what an exceptional Guitarist, Ulf Holmberg is.

I get frustrated at the amount of great Pop albums that are around in Europe that get largely ignored. Sweden is one of the most exceptional music scenes still around and TGL are just one example. This album is a fun packed 36 minutes. Highly Recommended.







I don't do streaming, the internet connection here isn't great and I find it hard to keep track of stuff. My Bookmarks are like Hampton Court Maze, but you can find the album on Spotify here and then go out and buy it.


You can also listen on You Tube. The playlist is here .



Gretchen's Wheel - Black Box Theory



The quality continues with album Number Four from Lindsay Murray's Gretchen's Wheel. Followers here will know that I'm a great fan. You can read my reviews of Behind The Curtain here and Sad Scientist here. There was also the show stealing Power Pop on the Slan Tribute CD here.

Black Box Theory marks a slight departure for Gretchen's Wheel, all of it good. The songs seem a little darker, the guitar less at the forefront and it works beautifully for a number of reasons. Plus there is THAT Voice, it can melt a million hearts.





The songs seem a little sadder and the vocal more laid back. That lack of noise lets the songs breathe more to the point where this is probably Murray's best album yet. When a song like Tatyana rocks, it is gently, you listen to the lyrics more. Power Pop is often accused of being a one trick pony, total rubbish of course, but it is nice to hear arrangements that are different.

This is a fine collection of songs. I defy anyone to write a song better than Funny Thing, the songwriting standard here is incredibly high. The likes of Something's Coming and Untethered will become ear worms for a long time. The bar has been set incredibly high for Album Five.






You can listen to and buy the album here. It's also available as a wonderful Multi Splatter Vinyl and CD Set.



Roller Disco Combo - Things Under Control



If there are two scenes that I adored most, then it would be the Liverpool 80's and the Glasgow 90's. The first because I was there, the second because it reinvigorated my ears after the nonsense of Late 80's UK England when it became all about standing in a field or a warehouse.

Roller Disco Combo remind me of both, particular Teenage Fanclub and The Pale Fountains. The biggest surprise was that the five piece are from Barcelona. I know there is a vibrant Power Pop Scene in Spain and of course You Are The Cosmos, but I hadn't heard anything as jangly as this.






There's a real summer joy to Things Under Control. it's all so singalong, a great listen. There are hints of Psych Pop on When The Night Gets Dark, You Know is a bit early 90's Manchester, Those Days is a bit Brit Pop, but largely the emphasis is very much Jangle Pop and boy does the album Jingle.

You'll have heard When The Night Gets Dark on the IDHAS Radio Show and when I played that, I was battling with playing The Motor Of My Life. But all 34 minutes of the album are a listening pleasure. There are hints of Psych Pop and the closer, I'll Miss You hints at a future harder direction that they can do equally well.






Things Under Control is a cracking little listen, when it ends you want it on again. You can listen to and buy the album here.



The Foreign Films - The Record Collector



I was an early adopter of Bill Majoros and his magnificent Foreign Films adventures. So as I catch up on the pile of reviews that I'm behind with, it seems most fitting to start with the masterpiece that is The Record Collector.

It's been a long time in the making, previewed over that period by the excellent Record Collector Side releases and Majoros's superb additions to Steve Eggers's releases with The Nines. The culmination is this Triple album in all it's intended glory. It's Pop, but not as we necessarily know it, a journey into all things of that ilk.






This has certainly been worth the wait. The album veers off into all directions, but keeps everything melodic, inventive and so damn catchy. Just listening to Side 1 alone, Pop Rock, Prog and Orchestral Rock are taken in and the journey just gets better and better. Shadow In The Light could be Bolan, Junior Astronomer's Club could be Orgone Box and the beauty of the weeping She Reveals Her Heart cannot be over emphasised.

Kori Pop's vocals add a great deal to Side 2. Her joint vocals on Teardrop Town, which you can imagine Nick Cave writing and her lead vocal on Land Of A 1,000 Goodbyes which is all Lisa Mychols and benefits from Pop's Piano playing.  Broken Dreams is great 80's Power Pop, State of The Art is so Jon Auer Posies. Lucky is all jangly Psych Pop.

Side 3 is particularly Beatlesesque, notably Lennon. the exception being the haunting, A Foolish Symphony on which Kori Pop takes lead vocal duties on a wonderful arrangement. Side 4 is much slower, more moody and I'm reminded of great Singer Songwriters such as John Howard and Colin Blunstone.






On Side 5, the arrangements are varied, but very 60's Bacharach, Emily'd Dream is a cracking slab of Psych featuring Dialogue from Steve and Chantel Eggers. Summer Fades is a fine closer. Side 6 closes this extraordinary affair with the almost 13 minutes of Fall Of The Summer Heart.

Fall Of The Summer Heart is Psych Wonderment. Overall there is a lot of music here. It feels very much like one of those great Singer Songwriter albums of the 70's when Budget wasn't a problem. However, the variance never lets the album become boring. I must also mention the superb  Arrangements of Wim Oudijk, a man I miss greatly and who lit up my Psych Pop world with his chats and recommendations.






You can listen to and buy the album here. You can also buy the triple vinyl format from the same link. That's how I listened to it and if ever an album should be heard on Vinyl, it's this one. The album will also be released on CD by Ray at Kool Kat om Monday. You can order that here.

I've picked my favourite songs today here, but they change and this is an album that everyone will find a different favourite on.