I Don't Hear A Single
A Celebration Of New And Under Appreciated Music.
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Monday, 7 September 2026
Listening To This Week Playlist 7 September
Sunday, 6 September 2026
The Escape Society - The Escape Society
Hearing something great from Canada is no surprise here. The country has been one of the greatest contributors to reviews here and has a vibrant Guitar Pop scene that offers up great album again and again. Ottawa's The Escape Society are a little more Pop Rock, but just as great a listen.
Incredibly melodic, they flirt with AOR, but are just as ease with Modern Prog on the likes of Derelicts Of The Fungus Shed. On Sociopath, they are more Stadium Rock, a little hint of The Darkness and an altogether now Pomp Rock.
Useless Machine is an incredible song that featured on a recent Listening To This Week Playlist and still sounds as great. Yet compare that gentleness to the straight ahead AOR of Shut Up And Drive with its all encompassing chorus.
Tantamount To War is an epic closer that extends beyond 8 minutes. A little Vegas With Randolph like, it builds and builds with surprise synth Prog and organ runs that delight. Wonderfully arranged and totally engaging.
This is a wonderfully arranged and produced album, perhaps a little more commercial than we usually cover, but a wonderful listen. Great depth, its steps into Prog are accessible and beautifully put together. A cracking listen.
You can listen to and buy the album here. It certainly deserves a Physical Release.
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Helicopter Leaves - Sabrina Nickels
Anthony Vaccaro puts aside his Beach Bunny adventures to release his second album as Helicopter Leaves, an extraordinarily great solo project. It sounds less DIY than the debut, Get Stuck In and delves into areas that will certainly please our followers.
It is incredibly melodic, the chunky Guitar Pop being perfectly suited to Vaccaro's gentle vocal. There are hints of the likes of Dinosaur Jr. and even Teenage Fanclub and frequent ventures into Slacker Rock, but this is essentially a Guitar album.
Moments spring out surprisingly. I Should Have Been Listening is magnificent mixing genres such as Psych Pop and Fuzz Rock, but built on a laidback vocal surrounded by some great guitar. It desperately wants to be a Pop Song, but is a little complicated to be one.
Yet, Dreaming About Everyone But You is more of a rockathon with a killer chorus and an unexpected Psych Pop Guitar solo. What's One More Place is much more in your face. Feeling Nothing Is Worse is ace Power Pop and It Really Never Did is superb Slacker.
Dedicated to Sabrina Nickels, a childhood family friend, who formed Nickels musical tastes and encouraged his songwriting. The album is built on Riffs that drill into your brain, providing a great example of the joy of Guitar Pop.
You can listen to and buy the album here. It is available on Vinyl and as a download.
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Chris Church - Surprise EP
There's a lot to catch up on, so I'd better get cracking and what a way to start with Chris Church of whom I've been a long time fan. Chris let me hear the opener and title track a few months ago and I thought it was precursor for his next album, due next year.
So I was surprised myself to see this 5 track EP released and it is everything that I wanted to hear. It is a return to the thing that got me into the man. Church has never stayed still and that is admirable, but this return to sort of the start is the most welcome thing this year.
It is guitartastic, loose and riff heavy, the Matthew Sweet vocal comparisons surface again and it as though Sweet is backed by Crazy Horse. There is a real Neil Young feel at times. It Rocks as much as you could ever want something to Rock.
As ever, a solo affair, although this time with Brian Beaver on Drums. Church plays the Guitar as though his life depends on it without ever losing sight of the song and the melody. I may be selfish, but this is how I want to hear Chris Church, it is what he is best at.
It is a Rock EP of the highest order. The riff on the frantic Yes, This Is The Blues is worth the admission alone and the chorus is more than a little early R.E.M. Alt Rock of the highest quality with a feel of Garage Rock Frenzy. Angrier than the man might normally be.
The closer, Absolutely Nothing, comes up for air, still Guitar led, but more of the storytelling that Church is noted for, restrained, but you get the intent. During my absence, I've managed to gather some stunning releases, but this may be the best of them. Chris Church is back and we should all be grateful.
You can listen to and buy the EP here. It is available on CD and as a download.
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Tuesday, 1 September 2026
Spygenius - rhizomania
Genres are for direction only, but where do you start with Canterbury's Spygenius? The quartet are seven albums in, a back catalogue to die for, but they are still hard to nail down. Many call them Power Pop, but there is much more depth than that. Others note, their ease with UK Beat, but again that is too simplistic.
I've always thought of them as Psych Pop, a genre that allows experimentation and lyrical adeptness, but doesn't forget the melody. There is again much more to the band than this, but Psych Pop with the emphasis on Pop does seem to be a good place to start.
What Spygenius are about though is community. They have built their reputation on this, celebrating others, sharing gigs and building their own place in the musical world. If there isn't a scene, start one, seems to be their ethic.
It is hard in this day and age to make an impact, bands want to get noticed, not for the money, there is none, but don't want a "like" and then forever forgotten. It is about bringing that scene to more listeners and the Spygenius scene stretches across the UK, Europe and the States.
So for the band's 8th album, a different approach has been taken to achieve this. They have started a new label with the Excellent Caper Clowns called Canute Records here. The Danish outfit are close friends and allies with the Danish band, who are more Pop associated with Pop Rock.
Plus, what direction do you go in for your 8th album? A tricky question for a band well into their second decade. The answer is simple, rhizomania! keeps what they are known for and expands into other areas. The album is noticeable in embracing both Guitar Pop and experimental depth.
Watch Like No One's Watching is a great opener, Poptastic and that and Horizon Shine benefit from the joint vocals of Peter Watts and Bass Player, Ruth Rogers. The latter is fine Jangle Pop. Rogers takes up more of a lead vocal on Tre-biwt that meanders more and adds a big slab of Brass. She also is a half of the locked in rhythm section with Drummer, Alan Cannings.
Peter Watts remains an extra-ordinary songwriter, front man and Guitarist and the keyboards of Matt Byrne take the bands into special areas. Throughout, the album there is the lyrical with associated with the four.
The Mr Blue-Sky Thinking is incredibly jaunty with Banjo and Barrel Piano, the instrumental is in contrast to the biting lyrics. But Is It Powerpop is built on an addictive riff and a killer chorus and again gets across its message.
My Toxic Pal is hilarious and full on Music Hall. Cnut is top notch 60s Beat and in Beachcomber, Watts sings as though his life depends on it, superbly deep with an instrumental outro that thrills. All four sing, all four play and all four deserve your undivided attention.
rhizomania! is released on 3 October. The full review will be available on release.
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Monday, 31 August 2026
Listening To This Week Playlist 31 August
Sunday, 30 August 2026
What A Strange Month!
For the first time in I Don't Hear A Single's life, I felt drained and all the music listening sort of caught up with me. This combined with a heavy real life workload and an illness that just wouldn't budge took its toll. In my life here, August used to be a month that you could rest up a bit music wise, kids summer holidays etc, but the last couple of years have been like any other month, release wise.
I just sort of burnt out. It all became work and sleep and when I left space for music, the muse had deserted me. I finally feel back to normal and lessons have been learned. I need to take more mini breaks from stuff and maybe re-organise how I do things.
I love it here and the independence remains vital. But the constant moving on from one thing to another needs to be planned. The end of year Best Of Years are very popular here, but are a lot of work. So they need to be planned better and the preparation start earlier.
There were already plans to change it slightly as I was always concerned about putting one album before another order wise and so the plan is to list the 100 albums alphabetically and then name an Album Of The Year.
The Listening To This Week Playlist has been surprisingly popular, it was only ever meant as a small thing to note great songs that weren't on EPs or Albums, but took on a life of its own, submission wise. Then again this place was only ever meant to be a smallish thing and grew and grew. In its 11th year, it is the longest that I've stuck at anything musically.
So maybe the playlist will have an occasional week's break as the compilation and listening takes up a lot of time. The LTTW has managed to get compiled and posted in August. The fifth appears tomorrow and that will be given the space of the full day.
That means Reviews will be restarted properly on Tuesday. There are currently almost 60 to catch up on, with more likely to come, but they will be approached gently on an as and when basis for the rest of September. That will lead into a 31 Reviews in 31 Days in October.
The amazing thing is that site views have remained as high in a much quieter posting month. Over 300,000 so far this month. A reflection of the popularity of the Playlist and listeners going into the Reviews Archive.
Sorry I've made this a bit about me. It is never intended to be. This place is about the musicians and the music. I am forever appreciative of the support that you give these artists in a world that makes it hard for any of them to get any attention.
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