I Don't Hear A Single
A Celebration Of New And Under Appreciated Music.
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Monday, 9 November 2026
Listening To This Week Playlist 9 November
Sunday, 8 November 2026
6 Million Views
After hitting our 10th Anniversary in July, I Don't Hear A Single has just passed its sixth million view. We have never been self celebratory and have refused interviews in the past, because this place is about the artists that we cover. We have also refused investment on a number of occasions to keep our independence and remain a Blog that doesn't charge artists that we review. We have also never wanted to monetise and include adverts.
What does surprise us is how something that was only ever meant to be a small thing has grown so much It was formed out of the ashes of Anything Should Happen as a reaction to music fans who constantly berated new music. Those fans also included fellow Reviewers, We were told that no one would ever be interested in a Blog that concentrated solely on new and under appreciated artists. So to those that said that, I think you have been proved wrong.
We also constantly see people deride Blogs as a way to cover anything these days. When we first started, there were quite a few peers around and that has lessened greatly. But people should always realise that here would be nothing without the musicians who create their art because they love it. No one is ever going to be a superstar, but doors may be opened. But if the music wasn't appreciated and lauded by visitors, then these sort of numbers would never be attained.
We are back to the Reviews on Tuesday. Sunday and Monday are always days that are used for the Listening To This Week Playlist compiling, publishing and tagging.
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Thursday, 5 November 2026
Alex Pester - Almost England (Bandcamp Name Your Price)
I am a massive fan of Alex Pester. I bore people by banging on to all and sundry about how great the young man is. He has released his second album of the year, the boy is prolific and this time he has fashioned up very different.
Almost England is a sort of coming of age Concept album about growing up in a small English Town. It is divided into five chapters, each chapter divided by an engaging instrumental. Pester has even gotten hold of Peter Daltrey of all people as an announcer.
At approaching 90 minutes, it is a double album. Unlike his previous work which has been very Pop based with numerous surprises and a real Lilac Time feel, Almost England is at times more Acoustic, a little Folky and certainly Pastoral.
There are the breakout moments which are inspired, but there is a gentler feel, soothing, yet intriguing. The songs are too many to mention all, but you will have heard the magnificent Una Stubbs on the Listening To This Week Playlist.
Where The Trouble Starts is gentle Psych Pop, very Stephen Duffy. England By Train shows the Acoustic side of the album and is really lyrical adept. Always Missing Busses is splendid Indie Pop and People Watching is great Psych, almost Pink Floyd 1967.
Pester is a major talent and we don't hear from a lot of those in the UK. The album is a big listen with 30 songs, but it is certainly worth the effort. Intellectual songs that celebrate the past, but also but a modern spin to proceedings. Pester keeps amazing me with what he comes up with.
You can listen to and buy the album here.
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Sparks - Music That You Can Dance To (40th Anniversary Edition) (2CD)
Their 70s was great, maybe with the exception of the muscular Big Beat. They surprised everyone with the two Synth Pop albums at the turn of the decade and then went back to the band format backed by L.A.'s Bates Motel and produced two wonderful albums. Angst In My Pants battles with Indiscreet as my favourite Sparks album. They were followed by an ok album then the dire Pulling Rabbits Out Of A Hat. They then turned back to the synth duo format and offered up Music That You Can Dance To An amazing affair that showed Synth Pop could be intelligent and have more than one stream.
I loved the album. At the time, I was around the country and managed to gather all of the 12 Inch Singles, including a couple of white labels, so I have a lot of the second disc material, but there are additional surprises that I don't. The album has been remastered and brings both the UK and US version together in the 9 Tracks. Change bizarrely was the single in the UK, but not on the album. Armies Of The Night was removed from the US Version and replaced by Change.
The album still sounds as great as ever. The stand out being the bass driven, The Scene. The title track. Armies Of The Night and of course Change are great Pop songs. Let's Get Funky and The Shopping Mall Of Love show how weird and wonderful, Sparks could be and I have a special place in my heart for Rosebud with its Orson Wells Inspiration. The second disc contains 17 songs and is largely the 12 Inch mixes and B Sides. Although two demos of Music That You Can Dance To, are accppanied by demos of Rosebud and Fingertips. There is also the unreleased, How To Survive demo. Strangely, the Fright Night version of Armies Of The Night isn't here.
The remaster is great and this is an album to be treasured, certainly one for the new fans to jump on and the second disc will be essential for long time fans. The double Vinyl version only includes six of the bonus tracks.
You can buy both the CD and Vinyl versions here.
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The Serfers - Debt Sounds
Brighton's The Serfers have a reputation as a Surf Punk outfit. But there's not really a lot of Surf here, so don't expect Dick Dale comparisons.. Punk wise, if that is here, it is more like when Punk went into New Wave. There is a fantastic energy and you can imagine what a live act they are.
The sound is more Indie or Alt Rock and dare I say it, there is a feel of early stuff from The Killers, although the band may hate me saying that. Interestingly, the choruses are massive and largely melodic and match the killer riffs that completely ignite your soul.
The title track is deliciously heavy, very Alt and even a little 90s Rock, but with big hints of Psych. At times, the harmonies catch you by surprise in a great wave. The Goth like solo on Negative FX is stirring and Welcome Home is splendidly broody, reminding me a lot of The Armoury Show,
Damaged III is a cracking listen, the harmonies work beautifully and you get a hint of Surf, the chorus grips you. Bad Blood is probably the most Surf, but that song is also lit up by an addictive riff. Loose Control is really up and at 'em, mesmerising at times and an anthemic Guitar sound.
Special mention has to go to Violins, it would make a killer single. Incredibly catchy and more commercial than you might expect. Debt Sounds shows that you really shouldn't rely on genre labels. If I did, I would miss out on many albums and this one is definitely great.
You can listen to and buy the album here.
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Tuesday, 3 November 2026
Classic Traffic - Real Music
I've had this album for a while and have been waiting for it to appear on Bandcamp to be able to embed some songs and direct you to listen to the whole album and hopefully buy it. Now it has and it is a fantastic listen. You can read my review of 2024's Turn It Up here.
The New Jersey trio describe themselves as living somewhere between Thin Lizzy and Teenage Fanclub, but my ears have them closer to Cheap Trick except for the two mellower songs. I do see a lot of bands compared to Da Trick, most are nothing like this, these three are.
A lot of Power Pop fans like Cheap Trick even thought they aren't really of the genre. It is usually labelled Pop Rock and this is that, but the rhythm section of but Bass Player, Dogmeat and Drummer, Dante Fotino, provide a Power Pop beat. Fotino also adds the lyrics.
Andy Altodino is vocalist, a ringer from Robin Zander and Guitarist. It is the Guitar that grabs you most, big riffs and solos to match the killer choruses. Those solos probably deserve the Thin Lizzy comparisons, but also remind me of the likes of The Darkness.
The opener, My Rage, gets you right into the mood for what is to come, a real singalong, foot tapping and at times fist pumping. Ghost's Host does get a little Teenage Fanclub instrumentally, but then bursts out with an anthemic solo.
Yet There With You is very close to Power Pop and Wanna Wish is much nearer Classic Rock. Sorry Songs closes the album with an incendiary Guitar solo. Real Music is a storming listen, proper Pop Rock and a joy that you want to put on again straight after it closes.
You can listen to and buy the album here. It is available on Vinyl and as a download. The band's Bandcamp site is here for their back catalogue.
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Monday, 2 November 2026
Listening To This Week Playlist 2 November
Sunday, 1 November 2026
Welcome To November
Hope you are all catching up with October's extended 31 Reviews In 31 Days. November is more of the same as there are still plenty of albums to write up. It is also a month of 5 Listening To This Week Playlists. We are getting close to the 100 Best Of 2026 albums at the end of December and then the exciting things planned for January.
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