I Don't Hear A Single Albums Of The Year 2018 : 81-90

2018 has been a fantastic year for the type of music that we like. It's been difficult to get these choices down to 100. I'm also not a believer in saying one album is better than another. Most of the time you are comparing Apples To Oranges. I'm not a Top 10 person, I just think what's the point.

However, for the first time last year, I did a Top 50, normally I just say what my favourite album of the year is. I've simply done it again, because those five posts of last year were so popular and the aim of this Blog is to get exposure (and Sales) for the artists.

As I said the standard this year is incredibly high, so much so that I've extended the choice to 100 albums. There is no meaning or judgement on an album that is Number 1, Number 100 or not on the list. Anything that I review on here, mention on Social Media or play on the Radio Show is as highly recommended.

For each album, I've posted a song from it and a link to the IDHAS Review if applicable.


No 81 : Cursed Arrows - Rebirth          IDHAS Review here.







No 82 : Crayola Lectern - Happy Endings

No 83 : Emperor Penguin - Walnut Fascia







No 84 : Henry Chadwick - Marlin Fisher          IDHAS Review here.







No 85 : Simon Felton - Topsy Turvy







No 86 : Paul McCann - Here Comes The Rapture







No 87 : Steve Barton - Tall Tales And Alibis 

No 88 : Tommy Lorente - Stupefaction






No 89 : Major Murphy - No. 1         IDHAS Review here.






No 90 : Michael Slawter - Last Call For Breaking Hearts





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Simon Felton - Return To Easton Square

I loved Garfield's Birthday's 2010 album, Tea And Sympathy, it's great feel good pop of the Dodgy, Bluetones, Posies variety. In fact I've slapped myself around the head a few times, for not owning more of their stuff and I will remedy that rapidly.

GB's main man, Simon Felton, has a new album out and it's really really good. In his liner notes, Simon describes the album as erratic, which is really unfair and a bit self depreciating, because this variation is largely a good thing.




There is a fair bit of introspection, but the instrumentation and arrangements offer every slower number something different. Whether Piano or Guitar led, the tempo changes are enchanting at times.
This is his fourth solo offering and the fact that you can pick this up with his three previous albums for less than £12 seems the greatest bargain in the shop today.

It's fair to say that there isn't the volume of jaunty stuff that makes up a Garfield's Birthday album, but that's what makes this album special. Fear not there is enough up tempo stuff present.





(It Must Be A) Nightmare could almost be Al Stewart. Indeed, there are plenty of comparisons to some of the better 70's Singer Songwriters present. Falling To Pieces provides more content listening with it's Supertramp like keyboard.

Waiting reminds me of prime time Eric Stewart and Missing Action is great melodic pop, probably the best song on the album.




The variation and melody on the album is admirable. Simon Felton may be bearing his soul at times, but I, for one, am certainly happy that he has.

You can buy this for a five pound note here, but as I mentioned earlier, getting the other three albums for an extra £7 seems the sensible purchase. You can listen to all before you buy. CD Lovers can buy Return To Euston Square for £6.