Google Tag

Showing posts with label The Hasbros. Show all posts
Showing posts with label The Hasbros. Show all posts

Sunday, 3 December 2023

The Hasbros - God Hates The Hasbros

 

Five years on, it is great to have Queen's The Hasbros back with their second album. Expanded from a Trio to a Quartet with Tom Cavanagh doing on Bass, the sound sounds even bigger and builds on Cart Before Horse with some ace 90s sounding Pop Rock.

For a band that specialise in Pop Rock with a Guitar Driven emphasis on the Rock, via Twin Guitarists, that is more than a little IRS, the opener is a real surprise. Bury You sounds more like The Rembrandts than say R.E.M.

Fans of their scuzzy Guitar led stuff, should fear not though because they are soon back on that track. Songs are built around big choruses and riffs with Jangle thrown in regularly. Melodic and performed at pace, this is a fine selection of songs. 

The band are at their best when they let go and Be A Bee is the best example, a really noisy urgent affair that will translate well live. Hell Or Me runs it a close second, another song delivered at a frantic pace. But the band can also change direction and genre well.

Change is a splendid Jangling, almost Americana gem. Wonder is great Psych Pop and 30 Days Of Night is wonderful West Coast Rock. There's even a melancholic closer in What He Said, a beautifully arranged cooldown after all that excitement. It is cracking 5 minutes that ends a really fine album.


You can listen to and buy the album here. You can find out more about The Hasbros here.


...................................

Thursday, 31 January 2019

I Don't Hear A Single Albums Of The Year 2018 : 71-80



2018 has been a fantastic year for the type of music that we like. It's been difficult to get these choices down to 100. I'm also not a believer in saying one album is better than another. Most of the time you are comparing Apples To Oranges. I'm not a Top 10 person, I just think what's the point.

However, for the first time last year, I did a Top 50, normally I just say what my favourite album of the year is. I've simply done it again, because those five posts of last year were so popular and the aim of this Blog is to get exposure (and Sales) for the artists.

As I said the standard this year is incredibly high, so much so that I've extended the choice to 100 albums. There is no meaning or judgement on an album that is Number 1, Number 100 or not on the list. Anything that I review on here, mention on Social Media or play on the Radio Show is as highly recommended.

For each album, I've posted a song from it and a link to the IDHAS Review if applicable.


No 71 : Lisa Mychols - Sugar                           IDHAS Review here.






No 72 : Mo Troper - Exposure And Response              IDHAS Review here.







No 73 : Johnny Stanec - The Future Of Nothing          IDHAS Review here.







No 74 : Sven-Erik Olsen - Sketchbook Traces








No 75 : The Glad Machine - The Glad Machine            IDHAS Review here.






No 76 : The Hasbros - Cart Before The Horse            IDHAS Review here.







No 77 : Zombies Of The Stratosphere -The Physical Kids   IDHAS Review here.







No 78 : Even - Satin Returns                           IDHAS Review here.







No 79 : Martin Gordon - Thanks For All The Fish






No 80 : Anton Barbeau - Natural Causes 





.

Tuesday, 8 January 2019

Five 2018 Albums That You Should Own Part 2



Zombies Of The Stratosphere's fourth album is as great as you'd expect. New York duo, Jeff Hoffman and Arthur Smith excel in Pop Rock Territory. They tell you that their Record Collections are great and who is anyone to argue on hearing this.

The Physical Kids encompasses all that is great from the 60's to the 80's. Nite Wok is wonderfully meandering, A Minor Glam Rock, Winterman, 70's So Cal. All 12 songs are Easy Listening, built on great riffs and memorable choruses. An absolute joy to listen to.









Wisconsin's Car City offer up a poptastic 9 song debut. Jason Lemke's songs jangle chirpily around his bitter sweet lyrics. Think Housemartins in approach, indeed Hopeless is very Paul Heaton like. Hardest to believe is the US connection as Car City sound so English or more relevant UK.

These songs could hail from late Eighties Glasgow or late Seventies New Wave. The jingle is ace and the songs are so damn catchy. Hangman could be from the Liverpool Brit Pop revival. (Don't) Give Up On Love is Merseybeat in spirit. Challenger comes over all Psych Folk and Soul Jam is like Michael Stipe fronting The Searchers.

You can listen and buy the album from the band's bandcamp page, tagged earlier here. You can also buy the album on vinyl, a format it deserves, here.









Boston quartet, Glowbox, offer up their second album. It travels through Power Pop, Prog and Psych Pop although it's base is very much Classic Rock. Fossil Fuel is a wonderfully rounded album, beautifully produced and ready for all your Air Guitar moments.

From the AOR of No Connection, through the Psych Pop of Moonstone and the Light Prog of The Decoy, there is just no let up. Rolling It Over is Pure Mod Pop, Home Movies has a Cheap Trick jangle. What Did You Get Done Today reminds me a lot of Vegas With Randolph. Anodyne borders on Heavy Metal and what a Guitar Solo!

This is an album that should be listened to loud with a beer in your hand. It sounds like a Classic already.









Matt Adams's The Blank Tapes have been around for a while now, but that hasn't stopped the Los Angeles' outfit from getting better and better. Candy is a splendid laid back affair from a band that sounds like it should contain Brent Rademaker. At times you can hear that West Coast influence, particularly on the title track, but it's a different West Coast comparison that strikes me. At the times, they sound very 90's Liverpool.

The band is never in one place too long though. You have the Blues of Everything Will Fall Into Place, Thinking About You is The La's brand of Merseybeat, Last Night is pure schmooze. It's In My Mind and She's Your Baby are Brit Pop shuffles, whilst Other Places is Psych Pop of the highest order.

The Blank Tapes have fashioned up an inspired calmness here and at the same time added to their growing reputation.









New York City Trio, The Hasbros reformed to finally record their debut album. It appears 26 years after they split up and it's a great listen. Beautifully played, it's very IRS, think Husker Du and the melodic side of that US Post Punk early 80's period.

However, the band shouldn't be pigeonholed, they reel off that angsty period well and chirpily, but they could equally be compared to Late 70's UK New Wave and Mod Pop and there's even many hints of Power Pop.

There's plenty of variation, from the angry yowl of Nothing At All to a Police like intro on For The Best which is an absolute gem, pure Pop and the all encompassing, Kenny that rocks like a good 'un. The band have even tagged on four songs from their earlier recordings, almost three decades before.

The album is available everywhere, Vinyl is available from CD Baby here.





.