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Showing posts with label Bird Streets. Show all posts
Showing posts with label Bird Streets. Show all posts

Thursday, 28 August 2025

Here Is The News

 



Welcome to the first Here Is The News in a while. As with everything on I Don't Hear A Single, it contains no influence whatsoever from anyone but us. We get lots of releases, PR, label contact, but we have always decided what we like and want to tell you about. 


Tamar Berk - ocd  (5 September)




Dealing with the two soonest upcoming albums first. 5 September sees the release of the new Tamar Berk album. One of our greatest discoveries, her fifth album in five years and each one has seem progression and different routes taken.  old îs a much more reflective album, darker in places and a little less rock out. 

Berk has always managed to express her feelings to great effect without angst. Moodier maybe, but I've been living with the album for a while and it is a superb listen. Mature and her development as a solo artist has been and continues to be amazing to witness.


LINK


The Wellingtons - Baby Moon (19 September)



Power Pop goodness arrives with a great fanfare as Australia's The Wellingtons return with their sixth album, the first since 2017's End Of The Summer. The trailing singles make you realise what we have missed. Outstanding Guitar Pop.

Melodic to the extreme, packed with Big choruses, Riffs to die for and a chirpiness that at times hides the lyrical adeptness of the songs. You will be singing along until your heart is content which will certainly continue into 2026.


LINK


Bird Streets - The Escape Artist (17 October)




John Brodeur  is a superb singer songwriter, taking unusual storytelling angles and displaying real depth in all that he does. Recorded with Jason Falkner, as always Brodeur wears his heart on his sleeve revealing a tenderness and exploring self doubt around wonderful memorable arrangements.

One of the most underrated artists around, his third album was recorded over four years and underlines his mastery of his art. It is also great to have Jason Falkner in tow, more about one of our great favourites later.


LINK 


The Len Price 3 - Misty Medway Magick (24 October)



The Len Price Three have been releasing singles that preview the joy of what is to come on this Wicked Cool release. Known for Mod Pop, but performing much more than that, this is an absolute Tour De Force. 

A Power Trio maybe, but the sheer pace and melody overwhelms you. Some might call them Garage Pop, but that gives an impression of noise and these are catchy songs that emphasise the tightness of the trio and the strength of Glenn Page's mellow vocals.


LINK


Cheap Trick - All Washed Up  (14 November)


Cheap Trick remain one of my all time stalwarts. A little too Rock for Power Pop, a little too Power Pop for Rock. Well into their sixth decade and still as relevant, this is their first album in four years and they sound as great as ever. 

Robin Zander in particular sounds as timeless as ever. The sound of my youth and still resonating now. All Washed Up is as melodic and sing along as you might expect. It is splendid that bands like Cheap Trick and Sparks are still releasing new material today that is just as engaging to an audience of over three generations.


LINK


The Salt Collective - A Brief History Of Blindness (21 November)




Stephane Schuck's second album has the songwriter and guitarist surrounded by what appears to be a I Don't Hear A Single who's who. Mike Mills, Chris Stamey, Mitch Easter, Andy Partridge, Jason Falkner, Kimberley Rew, Matthew Caws, Lynn Blakey and Aimee Mann are all involved.

Partridge adds two new songs, Falkner takes lead vocal on one of them. Aimee Mann appears adds vocals on two. As you might imagine from the cast list, the results are amazing a nd most of the material was not recorded remotely.


LINK


Nick Heyward - The Epic And Creation Years (4CD)  (31 October)




Nick Heyward's 90s were an inspired time. He mastered his solo years with three wonderful albums. From Monday To Sunday, Tangled and The Apple Bed. Enhanced by multiple bonus tracks including 12 demos, the strength of all three albums is revisited.

Coinciding with Brit Pop, Heyward shows that the period wasn't all about loud Guitar music. I've often been an advocate of how great much of the Pure Pop was around the outer circle of Brit Pop. Truth be known, the whole set is worth the admission for Kite alone, one of the greatest songs ever. The three individual albums are also released on Vinyl.


LINK


Finally Mommyheads return on 7 November with the release of No Quietus. I have the album here and it is truly wonderful. The New Yorkers are absolutely beloved here and more details will be released soon. Now almost four decades old, the band continue to be one of the most inventive groups that you are ever likely to hear.


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Friday, 30 June 2023

Bird Streets - Lagoon Deluxe Edition



John Brodeur is one talented singer songwriter. Last year, he released his second album under the Bird Streets name. It featured in the Top 30 of I Don't Hear A Single's Best Albums Of 2022. It has been released as a Deluxe Edition today.

The new Edition adds 8 Bonus Tracks and is now even more of an essential listen. My original review is below and a link to where you can listen to the new version is below.
 

John Brodeur's first album under the Bird Streets name reinforced his reputation as one of the great modern Singer Songwriters. With the aid of Jason Falkner, Brodeur unleashed a beautifully arranged, lyrically adept self titled joy. It was No 2 in IDHAS's Best Albums Of 2018. You can read the review here.

If listeners felt that the first album was autobiographical, well Lagoon is even more sign. The lyrics reveal the effects of a divorce and general soul searching, but this is no misery memoir. The songs are much more buoyant instrumentally and arrangement wise, aided by a great selection of Producers.

The choice of musician guest appearances is wonderful. The likes of Aimee Mann, Jody Stephens, John Davis, Ed Harcourt and Buddy Judge can only improve an album and that they do. Aimee Mann's Bass playing on Unkind is exhilarating. matching a wonderful orchestral arrangement on what is am astounding McCartney Pop affair. 



Power Pop lovers will marvel at both Go Free and Machine with the Trio of Superdrag's John Davis, Big Star's Jody Stephens and Brodeur. Recorded at Ardent Studios, these two songs are the highlight of a splendid album, but they are more than supported by the other 10 tracks.

Disappearing Act is a magnificent affair, raiding the music cupboard with a big Brass arrangement and fine keyboard run. It sounds very Stax Soul at times. Leave No Trace is Psychedelic with Sitar on what is a big 70s Pop Rock ballad.

Let You Down has the potential to be an Easy Listening classic and The Document is so melancholic that it may bring tears, slightly Americana with a killer moody chorus. Burnout has a real 80s instrumental feel that makes you look for your leg warmers.



If the two Ardent Studio songs are my two favourites then Sleeper Agent runs them close. Essentially a Piano Pop affair with a big orchestral arrangement with a 70s Glam Guitar breakout. It seems a strange choice as an opener, but is absolutely stunning.

In these days of music seeming to largely be assumed to be worth little cash and reducing something close to a masterpiece to one song on a quickly discarded playlist, we may be able to change things. Because Lagoon is an album that deserves to be heard.

John Brodeur has a voice to die for and seems to have found his natural home in Bird Streets. A wondrous way with words, matched by a melodic know how is enhanced by unusual avenues taken musically. The album harks back to the days of queuing outside record shops for a release. Brodeur should be known as one of the great Singer Songwriters. It's not too late.



You can listen to and buy the album here. You can find out more about John Brodeur and Bird Streets here.


The new Deluxe Edition can be listened to by following one of the links here.


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Wednesday, 25 January 2023

I Don't Hear A Single Albums Of The Year 2022 : 21-30



This year, the standard has been the highest since IDHAS began six and a half years ago. Narrowing things down to this 100 as been really difficult. For each album, I've posted a song from it and a link to the IDHAS Review where you can find further details and how to listen or buy the album.

A reminder that anything reviewed on I Don't Hear A Single is highly recommended. 


No 21 : The Green Pajamas - Forever For A Little While    IDHAS Review




No 22 : Ian McNabb - Nabby Road      IDHAS Review





No 23 : Uni Boys - Do It All Next Week    IDHAS Review


 


No 24 : The Chrysanthemums - Decoy For A Dognapper!         IDHAS Review




No 25 : Nick Frater - Aerodrome Motel  IDHAS Review


 

No 26 : The Sun Sawed In 1/2 - Triptych (2CD)       IDHAS Review


  


No 27 : Steve Robinson & Ed Woltil - Shadow Play     IDHAS Review




No 28 :  Bird Streets - Lagoon    IDHAS Review


 


No 29 : Dave Cope - Killer Mods From Inner Space   IDHAS Review





No 30 : The Toms - Stereo       IDHAS Review




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Friday, 4 November 2022

Bird Streets - Lagoon


 

John Brodeur's first album under the Bird Streets name reinforced his reputation as one of the great modern Singer Songwriters. With the aid of Jason Falkner, Brodeur unleashed a beautifully arranged, lyrically adept self titled joy. It was No 2 in IDHAS's Best Albums Of 2018. You can read the review here.

If listeners felt that the first album was autobiographical, well Lagoon is even more sign. The lyrics reveal the effects of a divorce and general soul searching, but this is no misery memoir. The songs are much more buoyant instrumentally and arrangement wise, aided by a great selection of Producers.

The choice of musician guest appearances is wonderful. The likes of Aimee Mann, Jody Stephens, John Davis, Ed Harcourt and Buddy Judge can only improve an album and that they do. Aimee Mann's Bass playing on Unkind is exhilarating. matching a wonderful orchestral arrangement on what is am astounding McCartney Pop affair. 


Power Pop lovers will marvel at both Go Free and Machine with the Trio of Superdrag's John Davis, Big Star's Jody Stephens and Brodeur. Recorded at Ardent Studios, these two songs are the highlight of a splendid album, but they are more than supported by the other 10 tracks.

Disappearing Act is a magnificent affair, raiding the music cupboard with a big Brass arrangement and fine keyboard run. It sounds very Stax Soul at times. Leave No Trace is Psychedelic with Sitar on what is a big 70s Pop Rock ballad.

Let You Down has the potential to be an Easy Listening classic and The Document is so melancholic that it may bring tears, slightly Americana with a killer moody chorus. Burnout has a real 80s instrumental feel that makes you look for your leg warmers.



If the two Ardent Studio songs are my two favourites then Sleeper Agent runs them close. Essentially a Piano Pop affair with a big orchestral arrangement with a 70s Glam Guitar breakout. It seems a strange choice as an opener, but is absolutely stunning.

In these days of music seeming to largely be assumed to be worth little cash and reducing something close to a masterpiece to one song on a quickly discarded playlist, we may be able to change things. Because Lagoon is an album that deserves to be heard.

John Brodeur has a voice to die for and seems to have found his natural home in Bird Streets. A wondrous way with words, matched by a melodic know how is enhanced by unusual avenues taken musically. The album harks back to the days of queuing outside record shops for a release. Brodeur should be known as one of the great Singer Songwriters. It's not too late.



You can listen to and buy the album here. You can find out more about John Brodeur and Bird Streets here.


..................................

Thursday, 31 January 2019

I Don't Hear A Single Albums Of The Year 2018 : 1-10




2018 has been a fantastic year for the type of music that we like. It's been difficult to get these choices down to 100. I'm also not a believer in saying one album is better than another. Most of the time you are comparing Apples To Oranges. I'm not a Top 10 person, I just think what's the point.

However, for the first time last year, I did a Top 50, normally I just say what my favourite album of the year is. I've simply done it again, because those five posts of last year were so popular and the aim of this Blog is to get exposure (and Sales) for the artists.

As I said the standard this year is incredibly high, so much so that I've extended the choice to 100 albums. There is no meaning or judgement on an album that is Number 1, Number 100 or not on the list. Anything that I review on here, mention on Social Media or play on the Radio Show is as highly recommended.

For each album, I've posted a song from it and a link to the IDHAS Review if applicable.


No 1 : Ex Norwegian - No Sleep     IDHAS Review here.







No 2 : Bird Streets - Bird Streets     IDHAS Review here.







No 3 : Caper Clowns - A Salty Taste To The Lake     IDHAS Review here.






No 4 : Ian McNabb - Our Future In Space    IDHAS Review here.







No 5 : Nick Frater - Goodbye Kayfabe    IDHAS Review here.







No 6 : The Foreign Films - The Record Collector    IDHAS Review here.







No 7 : Wilkerson - Wilkerson    IDHAS Review here.






No 8 : Caddy - Ten Times Four    IDHAS Review here.







No 9 : Mick Terry - Days Go By    IDHAS Review here.







No 10 : The John Sally Ride - Nothing Doing 





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Sunday, 19 August 2018

Bird Streets - Bird Streets



In those halcyon Anything Should Happen Days, the emphasis was on forgotten artists and albums from the previous 20 years, rather than the regular fuss on Rock Excess and Mop Tops from the past. It came to celebrate great Singer Songwriters such as Michael Penn, Matthew Sweet and Jason Falkner. Fast Forward to I Don't Hear A Single. IDHAS's mission was to celebrate the new and under appreciated that had albums out now. John Brodeur was a name that frequently crops up.

So imagine all the excitement when the Bird Streets Telegraph started to buzz. John Brodeur was bringing out a new album with Jason Falkner, Wow! It was being released by Omnivore, a label that carefully selected new albums on quality. Think Chris Price, Cait Brennan etc.

As the release date neared we were treated to a track and Betting On The Sun was everything that I hoped it would be. If this isn't the IDHAS Song Of The Year, it will have been beaten by something truly wonderful.







Brodeur's previous album, Little Hopes, is an outstanding thing of beauty, but it suffered from a lack of promotion and support. His first album as Bird Streets trumps all that has gone before, it's an exceptional listen.

He's always been a great songwriter from the quirky beginnings to now, but Bird Streets reveals a greater experience in what appears to be an almost auto biographic affair. There's a realisation here of what's been gained and lost and it's more about things lost. This isn't a bitter affair, more of a realisation of what went wrong and an acceptance that things are better now.

It's also helps that Brodeur is one of the best lyricists around. "I remember when we were tighter than Steely Dan" being one example. This is where Jason Falkner comes in. The arrangements are tighter here, the glitter and polish more dazzling and the radio friendliness. Considering everything was played by the two, the quality of that playing is admirable.

From the opener, Carry Me with it's Stipe like verse and it's Glam Rock chorus to the closing, Until The Crown which has a chorus that could be John Waite or Kenny Loggins, the album is wall to wall, back to front quality. Direction is Paul Simon-esque in it's storytelling.







Stop To Breathe has an aching riff and it's here you realise how good John Brodeur is at writing choruses, a fault sometimes of Jason Falkner, who is the best verse writer around. Same Dream could be a jaunty TV Sit Com Theme, think Friends Territory. Same Dream is the only time that the lyrical soul searching gets melancholic, again I turn my thoughts to Paul Simon.

What you have here is one of the best albums that you will hear this or any year. Brodeur confirms himself as one of the great songwriters of this generation. The collaboration with Jason Falkner helps reveal that even more. Album Of The Year Material? You bet!

Betting On The Sun is getting a lot of Radio Airplay and rightly so, it's an absolute wonder of a song, I can't easily describe my reaction on first hearing it. It would also be a wise man that delves further into John Brodeur's past. You can listen and buy back catalogue, including Little Hopes, here.






You can buy Bird Streets here. You can also buy the CD at Kool Kat here. You can find out more about Bird Streets here.