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Showing posts with label Fontanarosa. Show all posts
Showing posts with label Fontanarosa. Show all posts

Friday, 20 January 2023

I Don't Hear A Single Albums Of The Year 2022 : 91-100




For the last few years I have compiled annual Best Of 's  because these posts seem so popular and the aim of this Blog is to get exposure (and Sales) for the artists. A reminder that anything reviewed on I Don't Hear A Single is highly recommended. 

This year, the standard has been the highest since I DHAS began six and a half years ago. Narrowing things down to this 100 as been really difficult. For each album, I've posted a song from it and a link to the IDHAS Review where you can find further details and how to listen or buy the album. 


No 91 : Starter Jackets - Dead Malls       IDHAS Review





No 92 : Phil Angotti - Once Around Again          IDHAS Review





No 93 : The Boys With The Perpetual Nervousness - The Third Wave Of        IDHAS Review




No 94 : The Airport 77s - We Realize You Have A Choice          IDHAS Review




No 95 : The Confusions - Black Silhouettes      IDHAS Review





No 96 : Bigger - Les Myosotis     IDHAS Review

 


No 97 : The Stroppies - Levity      IDHAS Review





No 98 : The Smivets - Mountain Highway     IDHAS Review





No 99 : Fontanarosa - Are You There?   IDHAS Review





No 100 : The Wheel Workers - Harbor    IDHAS Review





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Sunday, 8 May 2022

Fontanarosa - Are You There?

 


Over to France now and the magnificent Howlin Banana label. Fontanarosa are a quartet from Paris led by Paul Verwaerde and Are You There is as good an example of Indie Pop Rock that you could imagine. It is a beacon in the darkness of what used to be a thriving genre.

For all the music here, the music that my other half tells me I should slim down to the point that I have to now sneak stuff in, I have favourite areas that I reach for constantly. One is Psych Pop, the other is intelligent Indie Guitar Pop. Fontanarosa are the latter. Comparing a band to XTC is maybe the laziest comparison that you can make, but there is lots of that first XTC period when the keyboards were ditched here.




It is the unusual chords and the strangely addictive riffs and choruses that hook you. It shows that you don't need a wall of sound or big anthems to hook people. Intelligence inventive songs win you over every time.

The Indie jangle compares with the best of the late 80s / early 90s of the likes of Madchester Guitar bands that were revealing that everything wasn't about Dance. OH id is the closest to early XTC, even Franz Ferdinand in feel with an absolutely hypnotic riff.




Hold On equals anything on the edges of Brit Pop, the type of music that wasn't hyped, that you had to discover or have recommended. You wouldn't hear its like in HMV or Virgin. Final Distance is a bit like Ray Davies fronting Radiohead. Backgrounds is not a million miles away from The Sugarplastic.

Way In Out is a much darker, another great riff, another song that hooks you. Are You There? is the sound of great Indie with a cleverness to admire, but without ever losing sight of the chorus. It is a great listen and a reminder that you don't have to be loud to be heard. Great stuff!





You can listen to and buy the album here.


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