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Showing posts with label The High Frequencies. Show all posts
Showing posts with label The High Frequencies. Show all posts

Thursday, 22 January 2026

I Don't Hear A Single Best 100 Albums Of 2025 : 11- 20

 


Nearing completion now with the penultimate post revealing Numbers 11 - 20 in the IDHAS Best 100 Albums of 2025. 


11 The Wellingtons - Baby Moon      IDHAS Review



12  KEYS - Acid Communism      IDHAS Review




13 The High Frequencies - The High Frequencies      IDHAS Review



14 Caper Clowns - Without The Aid Of A Safety Net      IDHAS Review



15 Drool Brothers - Psychology      IDHAS Review



16  Greg Pope - The Roar Of Silence     IDHAS Review



17 Dom Mariani - Apple Of Life   IDHAS Review



18   Camp Trash - Two Hundred Thousand Dollars    IDHAS Review



19 Kicking Bird - 11 Short Fictions     IDHAS Review



20 Baker Island - Love Eggtually      IDHAS Review



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Wednesday, 29 October 2025

The High Frequencies - The High Frequencies


 

I once called Lisa Mychols the Queen Of Power Pop. I still think of her that way. Pop of the highest order with that wonderful sugar sweet vocal. There is some of that here and she excels at it, but this, thanks to the locked in band element and it is a band album, this is a much rockier Mychols and it's great.

Mychols varies her vocals to the variety wonderfully well on both the Guitar Pop and the Indie Rock. She is far more important than comparing her to others, but a song like Clean Up Time is pure Debbie Harry Blondie and it suits her well.



Girl In Trouble is all Brass Revue, almost Motown and her phrasing on Nothing Really Stays The Same is totally ace. The Go-Gos spring to mind on. She even sounds temptress like on the opener with a vocal that reminds you of those Power Pop glory days.

But as the album progresses, the Rockier stuff largely takes over and it is really really great. It is a credit to the band that this suits her so well. The album loses none of the big choruses, riffs and solos, it just makes you shake your fist, memorably so.



Stratospheric is right in your face, it just stomps. Parasite is great 80s Big Rock and Can You Hear Me is anthemic, all attitude. Miss Me When I'm Gone has a hint of Ska, feels like a better produced Garage Rock, almost Rhythm And Blues.

Then there is the closer. Nexus Star, that allows Mychols to show off her vocal strength, solo in the first part. She sounds a little Rachel Sweet. The whole album is a revelation, hints of the past, but more aggressive in instrumentation in parts. The album is on the Jem Records label.



You can listen to and buy the album here.  It is available on CD and available as a download.


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