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Monday, 20 July 2026
Listening To This Week Playlist 20 July
Sunday, 19 July 2026
Maureens - Don't Give Up
Whenever I hear this lot, my mind is transported to the second half of the 80's when the Indie joy broke out to rid us of Bombastic Rock and bands who thought more about dressing up than the music. This was the greatest time for Indie Guitar Pop and the Scots scene.
Maureens aren't from Scotland, but they should be. The quartet are from Utrecht and in their second decade and never fail to provide a sort of Summer feel to proceedings and with the weather here in the UK bring as it is, this is as good as anything around.
Hendrik-Jan de Wolff is a fine songwriter with an ability to adapt to whatever takes his muse. Essentially Indie Guitar Pop, the band can be whatever you want. From Indie Pop to Jangle Pop, Jaunty to heartfelt depth, slightly Psych Pop to Folk.
Motorway also shows that Indie Rock is not out of the question and is possibly the best song of the 13 and contrast that to Great Smile which gets nearer to Brit Pop. Yet the stripped down gentle Psych of Wish You Well works just as well.
Talking In My Sleep is classic 70s Pop Rock and Crying For The Moon just aches beautifully. There is such variety on display here. Don't Give Up is so well put together that it demands your attention just as everything the band offer up does.
You can listen to and buy the album here. It is available on Vinyl and as a download.
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Wills Van Doorn - Enduro
Wills Van Doorn offers up a beautifully arranged Pop Rock album, wonderfully melodic, but that is half the story. His vocal lights up the darkest of nights and to its credit, Enduro puts his voice to the forefront. Anyone who had a vocal like Van Doorn's would want that.
It is extraordinary as a lead and in backing vocals. The fact that the arrangements are so well out together is a bonus, because you would listen to anything that he chose to sing. The album just washes your cares away, it is so smooth.
Johnny Payne's production brings out that golden voice, as you might expect, but the harder part is making the easy listening varied and Payne succeeds beautifully. Surprise Guitar solos and some splendid Wurlitzer enhance all around.
The big arrangements work really well, but when Van Doorn steps into Power Pop, he does that equally well. Both Sometimes / Rarely and Ever Wonder Why are genre classics, the latter lit up our Listening To This Week Playlist.
That Guitar Pop breaks up the gentleness elsewhere and allows you to appreciate the arrangements and performance even more. I'm reminded a lot of West Coast Summer sounds, but the whole album is an essential listen underlining why computer programs cannot match the real thing.
You can listen to and buy the album here. The album is available on Cassette and as a download.
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Saturday, 18 July 2026
Desoto Reds - Resistor
Oakland quartet Desoto Reds have released a fascinating album. It takes an old fashioned listen that seems to happen less and less in these days of playlist preference. The Album format still rules. I listened to this and on first listen you note a couple of songs that make you want to listen to the album again.
Repeated listens reveal more and more excellence until you realise you have one hell of an album in your hands. On first listen, I had the band as one of those excellent instrumentally intelligent bands that would have appeared on the IRS label.
But digging further shows that this is just a small part of what they do, the diversity and variety here is exceptional. No two songs are the same. Cookieness is followed by Psych Pop. Guitar Pop is followed by Indie Rock. The roads taken are incredibly different. Resistor is an amazing listen.
Aftermath was the song that drew me in, a joyous listen that has Psych Pop overtones, but is built on a killer chorus and wonderful 60s organ runs. By the end, I was engrossed in songs that were completely different especially the inventive Watch Me Now (I've Got The Algorithm).
Yeah, so is very mid period R.E.M., yet Spider could be The Mommyheads. There are bizarre subjects such as Free People which lists Free items wrapped around a killer riff and an angular affair that is a paean to Costa Rica.
My love of Psych Pop is enhanced by the wonderful Siberia, but the band can also slow things down with the mellower Maybe. All in all, this is an album of admirable death and variety. I've picked my three current favourite songs, but I urge you to listen and then listen again to the whole thing.
You can listen to and buy the album here. It is available on Vinyl and as a download.
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Mythical Motors - Tremolo On The Punchline.
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Sunday, 12 July 2026
Listening To This Week Playlist 13 July
Saturday, 11 July 2026
Raiding The Archive
I hoped that the couple of weeks that were taken to slow things down a bit wouldn't affect things too much. Putting the brake on has worked well and the catch up has already begun, Reviews wise. I was also concerned that the recent Google changes might affect people seeing the archive here. I hadn't seen a massive change in the Most Popular Posts in the last 30 days, which again concerned me a little.
However, looking at the views over the past week, I've been delighted to see older Reviews being really popular over the past week. It is great when someone discovers a post and tells their mates or posts on groups about it. Because these don't generate as much interest as current posts, I thought I'd let you know what they are.
Bryan's Magic Tears - Vacuum Sealed here
The Skullers - Freight Trains And Party Games here
William Lyall - Solo Casting here
Sergeant Buzz - Fox Pop here
Lone Wolf - Dark Thoughts here
Sparks - Lil' Beethoven 2022 Remaster here
The Chesterfields - New Modern Homes here
Plus 2 of Mick's old Interviews :
Mick Dillingham Interviews : Brad Jones here
Mick Dillingham Interviews :Ben Eshbach About The Sugarplastic And Much More here
Image By Rhododendrites - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=85646229
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The Lemon Clocks - Live At The Cellar 2nd August 2025
I rarely review Live Albums for a few reasons. Mainly that there is enough to get on with without turning to Live stuff and because Live Albums can tend to be something that you listen to once and then forget about. Coincidentally, this is the third time that I have and the venue has been The Cellar in Cardigan, also noted for The Dream Of Dr Sardonicus Festivals.
Part of the reason is Steve Kelly's wonderful commitment to the venue which as well as a Music Venue, is a Record Shop and a cafe. The other is that all three bands underline my love of melodic Psych and Prog in its melodic form. Glorious genres when bands approach them with the emphasis on songs rather than how well they can play their instrument.
The previous two performances were by Spygenius and Custard Flux. Now we have Jeremy Morris's Lemon Clocks. A fine Psych Pop band. Morris is just as noted for The Jeremy Band which concentrates more on his gentle vocal and is Rickenbacker led Power Pop.
The Lemon Clocks Psych resonates with me most, although a lot of my writing concentrates more on Guitar Pop. This is an outstanding set. I've chosen my two favourites, both lengthy, which start and end the show, but the whole thing is an essential listen.
Rainbow Bridge has always been one of my favourites since its release on 2012's Now Is The Time, The Lemon Clocks debut album. It also has a reprise on the closing Spirit In The Sky. I know the song can get people tiresome from the original, through Doctor And The Medics and onto Gareth Gates. But this is different, a 17 minute Psych laden Guitar extravaganza.
You can listen to and buy the album here.
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Trash Kickers - Way Out, Somehow
I do get cynical with comparisons, particularly repeated ones. The two that I see most are XTC and The Replacements. Most are nothing like them or maybe for just one song. However, I've been fortunate this week. Having written about a band that are so latter day XTC, I now have the Trash Kickers who revitalise the spirit of The Mats.
Chicago quartet Trash Kickers have fashioned up an awesome debut album. It is wonderfully loose, but never leaves the melody. A little noisy but built on killer singalong choruses. Songs are not just built on riffs, they are built on competing memorable riffs.
I've seen then called Power Pop, but they are only so if bands like Cheap Trick are. In that they have the prerequisites of the genre, but are much more Rock orientated. They can also change direction. Angel for instant is nearer Classic Rock, The Black Crowes spring to mind and the shared vocal with Elizabeth Moen works beautifully.
No Danger is the nearest they get to Power Pop, but Nothing Left has a wonderful Jangle to it. Wild Stab is pure Americana, reminds me a lot of Deer Tick. They also know how to close an album, Graduation Girl perfectly sums up what the band are about, really really Mats.
The Album Release show has built a big reputation about how good a Live band they are. You can imagine how well the album went down. They are at their best when the riffs are ringing out. Fly Or Die, Come Undone and What A Waste are great examples of this, the riffs drill into your head.
The band are a sum of their parts, locking in wonderfully and front man Tyler Franklin leads proceedings with a vocal that urges you to Rock, but also handles and underlines the melodic choruses. It is becoming a great year for debut albums. This is one of the best.
You can listen to and buy the album here.
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Friday, 10 July 2026
Orchidelia - Sundial EP
Wednesday, 8 July 2026
Eroica - Apollo Complex
After opening up July largely with a whole lot of Guitar Pop, it is worth underling that I don't just live in that world. Away from IDHAS, I listen to a lot of Psych and Prog and when I hear something that I think will be appreciated here, it arrives.
This is one such example. It is an incredible piece of work and has extraordinary depth. It can do the complex, surprise chord changes and instrumental brilliance. Yet it can also be accessible and melodic, it is a masterful release.
L.A. quartet Eroica's debut album is one hell of a listen. It will naturally be compared to Radiohead and Muse, but that would be both in their prime. The band have the complexity of the former and the accessibility of the latter.
The arrangements are immense, at ease with the meandering and the direct. Apollo Complex don't allow the wankiness that this type of stuff is labelled with, to enter. Cry Again gets close to Pop Rock and The Ginny Carr Tape is hypnotic and closer to Classic Rock.
I Remind You Of Your Mother is an incredible month, varied and packing so much into just over 4 minutes. As you might expect, there are longer songs and they emphasise the complex side of the quartet. The Muse comparison is most apt on the title track and instrumentally a soundscape.
Bat Wings is immaculate engaging Prog and Ghost Variations is epic in scope. The whole album is a truly splendid listen. I admire the scope and arrangements that seem too expert to be a part of a debut. An unbelievable piece of work.
You can listen to and buy the album here.
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Droids Osaka - Closer To The Credit Roll
There is a question that I ask again. Why are the Canadians so good at Power Pop? Here's another band to be introduced to you. A Trio from Hamilton that master Classic Pop, but aren't afraid to step down noisier streets, particularly as the album progresses.
You wouldn't be wrong to think the band were an 80s Japanese Synth band when looking at their name. Indeed, the opening 39 Second song, Theme From Droids, is all 80s New Wave, but that ends there by launching into the excellent turn of the 70s, US Power Pop of Bits & Pieces that you can hear on the current Listening To This Week Playlist.
Moving Too Fast follows on and is more early Weezer and you realise that you are listening to a great Power Pop album. It has all the pre-requisites, killer riffs, a big sing along chorus and a breakout Guitar solo. The album is a fine summer toe tapper.
Feeling Again sounds like the genre's current revival, but also has a tint of UK Glam Rock, particularly with the hand claps. Rocked up a little without losing sight of the melody. Get Up Get Up may be the best song here, certainly the best chorus. At times, it sounds like a Pop Punk band that has aged and got poppier.
The final two songs take on a different direction. Dirty Lines is much more in your face akin to the great stuff that is coming out of the Medway scene presently. You Want It, We Got In is pacy and more Punk and a frenetic listen that works just as well as what has gone before. Closer To The Credit Roll is a corking upbeat listen. Well done you three!
You can listen to and buy the album here. It certainly deserves a Physical Release.
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Tuesday, 7 July 2026
Swive - Stereophonic Stylings Volume 2
I adored Swive's 2023 debut album, so much so that it featured in our Best Albums Of The Year. The mix of male / female vocals from Indio Romero and Sidney Merritt worked beautifully. You can read the Review here and now we have Volume 2.
The two singles for the second volume promised much and also underlined the variety that the San Diego band provide. Fading Out is all Buckingham Fleetwood Mac-ish with a great guitar sound and Del Rio is more jaunty Tex / Mex with a wonderful chug.
Swive are not afraid to take chances and change direction, Indeed, one of the best songs here is a rock out, almost Psych, instrumental in Orange Crush. That ability to surprise is key to what they do. Merritt's vocal on the riff led Sky High is exceptional on what is the nearest the band will ever get to an anthem.
Lucky is great Pop Rock and Headlights is great West Coast Rock. Merritt's vocal on the former and Romero's on the latter show the benefit of the shared vocals. Chameleon mixes 90s Alt Rock with Sandy Denny-ish Classic Rock.
Mirrors is even more different with a sort of Red Hot Chilli Peppers opener and the brooding feel, a meandering joy. No Guarantees is built on a killer riff that just grips you and an incredibly strong chorus. Self Sabotage is wonderful jaunty Pop Rock.
The whole album is incredibly strong. Built on a splendid Guitar sound with an ability to go wherever they want to direction wise. I thought it would be difficult to better Volume 1. This has! Different to most around, it is a great listen.
You can listen to and buy the album here.
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Deep Wimp - Longtime Beginner
Back to our roots with the great Power Pop that is Longtime Beginner. The Brooklyn quartet can be Classic Power Pop, but also have the ability to step into other directions. This is largely helped by all four being vocalists.
Indeed for all the Power Pop, one of the best songs is the closer Thumbs Up which is looser and more West Coast Rock, Classic Rock even. Wheelhouse has that feel too, although a little slower and more brooding than Thumbs Up.
It is the Poppier moments that resonate most though. Particularly the magnificent opener First-Time Caller, built on a wonderful Power Pop riff and a vocal that is almost Feargal Sharkey. Pipe Dream is a little more laidback, but just as effective.
Giant even gets a little Psych Pop riff wise and shows even more variety, a little Garage feel at times and Bright Balloon gets more classic Power Pop and the four are really good at that too. Loads to like on this really enjoyable listen.
You can listen to and buy the album here. It is available on Vinyl and as a download.
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The Blusterfields - Thoughts & Prayers
The Blusterfields have been a watchword for variety since their 2022 debut and with an album a year since, we now reach their fifth and this is probably the album they've always threatened to make. The North Carolina five piece are at the top of their game.
At their most Poppy perhaps, they still offer up a heady collection of Pop Rock, Power Pop and Psych Pop and retain their social conscience. When the single, Mr Secretary appeared on a recent Listening To This Week Playlist, many of you remarked on how XTC it sounded.
They've also had that in them and here there are four or five songs that fit that category, all would fit on latter-day XTC albums, most notably the magnificent Juniper Tree. But these lot are no XTC copy band, there is far more than that to enjoy.
There is the splendid Psych Pop depth of Goldenrod, the New Wave opener Any More, which is a little vintage Vegas With Randolph and the cross between Garage Rock and Glam Rock that is I've Never Been To Detroit.
Elsewhere, there is the joyful Guitar Pop of Title Town and the moodier broodier of Inches Away and the UK New Wave groove, of Here Come The Idiots. The latter most describes what the band are lyrically about, anti-fascism that is dressed up in a great arrangement.
Thoughts & Prayers is beautifully arranged and performed. Largely Guitar Pop and of the highest quality. The band have a way with a lyric and an instrumental change of direction. Album Of The Year potential without a doubt.
You can listen to and buy the album here. It is available on CD and as a download.
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