You can listen to and buy the album here. You can buy the Vinyl and CD here.
........................
You can listen to and buy the album here. You can buy the Vinyl and CD here.
........................
61 The Len Price 3 - Misty Medway Magick IDHAS Review
62 Jumbo Chords - Throw Away (Buy Another One) IDHAS Review
63 Nick Frater - OH CONTRAIRE! IDHAS Review
64 Lolas - Big Hits And Freak Disasters IDHAS Review
65 Girl For Samson - Blend All The Seasons IDHAS Review
66 Cherry Fez - SUPEREXCITED IDHAS Review
67 He's Dead Jim - Head Like A Toyshop IDHAS Review
68 Them Elephants - Quattro IDHAS Review
69 The Elbow Patches - Achingly Familiar IDHAS Review
70 Drugs In Sport - If Only We Could Use These Powers For Good IDHAS Review
...............................................
The Lord Of Pop is back and he's brought many many IDHAS faves to join his regular collaborators. Nick Frater is definitely an extraordinary solo artist, but after well over a decade, he continues to hoover up like minded peers.
There has never been a duff album along the way and as we reach 2025, Croydon's finest seems to have made the BIG sounding album that he has always threatened to unleash. There's always been memorable choruses, a massive melody and harmony count and hook after hook, but the sound here is panoramic.
Frater has never hidden away, but here he proves himself the showman. The vocal is bold and far more upfront, the arrangements are varied and include big string affairs, mellotron and some real rocked up Guitar solos. It does sound a little (wonderfully) 70s at times. There are also songs that you might expect from him if you are familiar with his past such as Seraphim Called and Steal Away.
He's also been great at Lounge Pop and Dreaming Of A Wonderland fits that bill. Goodnight, Goodbye has a string arrangement to die for, a big McCartney Pop closer. but what bursts out most is the joyous bouncing pacy pop and there is plenty of that.
You will have heard the single One Minute and that still sounds as great as it always has, but here it is joined by My Heart's In Stereo, a Jeff Lynne in the 80s sort of races out of the blocks. You'd be tempted to say it is the best Pop song that you will hear this year, but then you hear I Know You Know I Know.
There is certainly a lot of ringing Guitar riffs around, some very Glam Rock, others definitely 70s Pop Rock sounding. The guest list is awesome and I obviously can't list everyone with space restrictions, but you can note them all on the Bandcamp page.
What is most to applaud are that many don't appear on other people's albums so much. Texas's Spyderpop duo Lannie Flowers and Danny Wilkerson, Probyn Gregory, Michael Simmons and Lady Prog herself, Cary Grace. The results are amazing and remind all of the beauty of Melodic Pop. OH CONTRAIRE! is simply splendid.
You can listen to and buy the album here. The album is available on Vinyl, CD and as a download. The album is on the Think Like A Key label and so can be bought here as well as at all good record stores.
.........................
For the last eight years We have compiled annual Best Of 's because these posts seem so popular and the aim of this Blog is to get exposure (and Sales) for the artists. A reminder that anything reviewed on I Don't Hear A Single is highly recommended. A reminder that only new albums are included among these 100.
Narrowing things down to this 100 has been really difficult. The 100 albums are posted in reverse batches of 10. For each album, A song is embedded from the album and a link is provided to the IDHAS Review where you can find further details and how to listen or buy the album.
41 Gentlemen Rogues - Surface Noise IDHAS Review
42 Macseal - Permanent Repeat IDHAS Review
43 Mt. Misery - Love In Mind IDHAS Review
44 I Do You Do Karate - III IDHAS Review
46 The Junipers - Imaginary Friends IDHAS Review
47 Steve Conte - The Concrete Jangle IDHAS Review
48 Nick Frater - The Rebutles 1967-1970 IDHAS Review
49 The Resonars - Electricity Plus IDHAS Review
50 Extra Arms - Radar IDHAS Review
...............................................
Nick Frater is someone who has been on here regularly via his solo albums. Here you get much more because the list of guest artists reads like a party at I Don't Hear A Single. Rather than take up all the writing space namechecking them here, I will post the list at the end of the review and you will see what I mean.
This isn't a tribute to The Beatles, but a tribute to that other world bothering band, The Rutles and this isn't a covers album. These are 11 original songs. The first Rebutles album covered the band's imagined solo years, now we get the band's rarities from the 1967 - 1970 period.
All of the songs were recorded using instruments and recording methods from the period and written by Frater. Anything by the Croydon musician is always totally melodic and catchy and here the mix of vocalists is particularly splendid.
It is deliberately akin to both fab fours and loyal to the period, particularly the magnificent The Devil You Know and in true Rutles fashion the material is great pastiche, but the songs stand up in their own right beautifully. For instance you don't have to be in Mensa to realise what Loose Tea In Disguise is aimed at.
Don't Play The Fool is part great McCartney Piano Pop, but also stands up in comparison to those great 70s Pop Rock albums. Back In The Unicorn Inn is obviously aimed at the USSR song, but it also sounds very Harrison and is also very Bop Shoo Wop.
I could go on, but so many of you are Beatles fans that you will immediately get the references, indeed novices would too. There is also plenty of faithful references to The Rutles, particularly involving Tea. Indeed Frater takes the Innes role and cracks it with the mixture of melody and wit.
Many of you know how I don't "get" tribute albums in most shapes or forms, this isn't that. Also many albums laden in with can be one joke, this isn't that either. There is a real warmth in the arrangements, just like the band they acknowledge managed. The album is both heartwarming and great Pop and you really can't ask for more than that.
You can listen to and buy the album here.
The Cast :
Nick Frater - Vocals, Guitar, Bass, Drums, Keys, Anvil
Kirkcaldy McKensie - Vocals
Ivan Clare - Vocals
Luke Smith - Vocals, Guitar
Jake Smith - Vocals, Guitar
Peter Watts - Vocals, Guitar
Joe Kane - Vocals, Guitar, Tapes, Fire Bell
Jamie Whelligan - Vocals, Bass
Chris Mulligan - Bass
Andy Pickering - Keys
Andy Thompson - Mellotron
Joe Montague - Drums
Chris Twomey - Backing Vocals
Scott Robertson - Backing Vocals
Kevin Robertson - Backing Vocals
Ross Palmer - Recorder
Scott Gagner - Psychedelic breakfast
Michael Simmons - Bass harmonica
Simon Love - Percussion
..................................
Nick Frater is prolific. An album a year is something that rarely happens these days unless you are Guided By Voices when they appear almost monthly. There is also much being recorded in between the releases, the man never stops.
There can be a danger with this. Frater's sugar sweet vocals across the ten year period risk becoming too much of a good thing with the sheer volume of music. Thankfully, he has avoided this by evolving album to album, not majorly, bit by bit and this has been both admirable and effective.
People may expect that Frater wants to be Paul McCartney or Andy Sturmer when I sense it is really Todd Rundgren that is the target, Aerodrome Motel sounds very and deliberately 70s as well as being the nearest thing to a group album. The vocals are certainly varied and fir the songs wonderfully.
This group sound is aided by the collaborators that include Dana Countryman, The Vapour Trails, Nick Bertling, Whelligan, Joe Kane and Luke Smith. I'm particularly delighted about Smith as I burst into tears constantly about the loss of Ulysses.
That 70s feeling covers the decade. Rough & Tumble adds a Thunderthighs like Sax and an hypnotic The Equalizer type background synth. Frater's vocal takes on a more earthy tone and the song moves at a rapid pace underlining the man's gift with a chorus.
Dancing With A Gertrude is very different, a big studio ballad, the type you used to hear on those classic 70s Pop Rock albums from the likes of Jigsaw when the singles in no way revealed the delights on the album. No Hard Feelings aches with a weeping twang.
Dear Modern Times is magnificent piano pop, beautifully arranged with a chorus to die for. White Courtesy Telephone is a great closer, part lullaby, part melancholic with a magnificent Country guitar steel twang.
The stand out song though is the splendid Love Heist, a potential pop single of the highest order. It is the type of song that you hear less and less these days with the singles chart being so irrelevant. Iain Hornal gets there at times, but nothing matches this. The chorus will stay with you forever.
Aerodrome is a wonderful album. I'm not gonna go on about it being Frater's best ever because every album he offers up is great, always a little different. It is like having a Brill Building in Croydon and oh those choruses!!!! Highly Recommended!
You can listen to and buy the album here, here and here and everywhere.
................................
Big Stir don't get a fair crack review wise on I Don't Hear A Single and it is really unfair. I feel caught between the devil and the deep blue sea because of my involvement with the label. I get concerned that reviews will be treated with a "well he would say that wouldn't he."
It is even worse with Nick Frater because I'm a long time fan and friend, so there is double the impact. But, I realise now that I am just being silly and that over five years on, readers of IDHAS know that I only cover releases that I like and would never review something simply because of a connection.
You should also expect a couple more Big Stir label reviews over the next week. So to Nick Frater, a stand out in the UK Guitar Pop fraternity, who has never ever made an album that isn't top notch. Over recent years, there have been quite a few UK and Irish artists who have excelled at offering up 70s Pop Rock albums. Iain Hornal and Ulysses spring to mind.
The latter veers towards Pop, whilst the latter is more in a Rock direction. Earworms though not only provides the similar references, but it sounds like it was recorded in the Mid 70s, a sort of rediscovered lost album. Every song is built around the melody and it is that melody that provides the vibe, fast or slow.
Notwithstanding the pop sensibilities, catch all choruses and Frater's sublime soothing vocal, every song is beautifully arranged. This feels more like a group album, although it isn't, than previous albums. To top everything off, there is a stellar list of guests.
Appearances from Roger Joseph Manning Jr, Darian Sahanaja, Dana Countryman, Mike Randle, Nick Bertling and John Lathrop are amongst those that gilt Earworms. Everything is so 70s, but especially the Guitar solos. Those solos aren't prevalent, but when they arrive they just light up a song.
As for the songs, Buggin' Out is a real showstopper and opens up with a reel Pilot feel at times, guitar wise. It's All Rumours is even jauntier and probably the best song here. Not Born Again is another bouncy chipper affair with a chorus to die for.
It isn't all about bounce though, although there is plenty of it, Lucky Strike is very Jellyfish and The Unbroken lands somewhere between McCartney and Liverpool Express. Who Says I Need A Plan even heads towards American Graffiti ballad territory.
Then there is the wonderful Piano Pop of the closer, How To Survive Somebody, a slowed down joy, almost Broadway like with a burst out Guitar Solo. Frater's development as a songwriter is magnificent, particularly considering that he is so prolific. Highly Recommended!
You can listen to and buy the album on either Nick or Big Stir's Bandcamp sites as well as the main Big Stir site. The album is available as on CD, Vinyl or as a download.
........
Released on Nick Frater's Great Sheiks label, London Trio, Sweet Sweat have released a wonderfully loose debut album. Recorded at State Of The Ark studios in London on the Rolling Stones old EMI desk and produced and engineered by Frater (Does the man ever sleep?), this is Rock in every sense of the word.
The Stones recorded Start Me Up on the desk and that gives you some idea of the direction and sound. All the vintage gear was intentionally recorded to sound like it could have been made in early 70s.. They describe it as Garage Rock played in a Pub or Pub Rock played in a Garage, this is a little unfair because at times there is a UK Beat feel to proceedings.
This though would be a UK Beat with lots and lots of solos. The looseness is almost jamming at times, but the direction is clear. Songs are built on Riffs a la Black Crowes, but the material is far more reminiscent of Stray or Man.
The drum sound sounds far more natural, sort of early AC/DC whose drums sounded more rehearsal studio than modern recording studio which perfectly fits the sound and aim of Maximum Saturation. The album was recorded a while ago and almost came out then until life got in the way for all.
It sat on a shelf until Nick Frater decided the world should hear it and mastered the album, specifically because it was a definite electric led reaction to what 2020 had offered up, hence the 1st January 2021 release date to ensure it was the sound of music untouched by the pandemic.
This release deserves your attention. It is a reminder of the album age and is certainly "Heavy Man", but is the type of album that isn't made any more. Steve Lowe's vocals are splendidly earthy and sound as though all he wants to do is play those Guitar licks and singing gets in the way. This earthiness and sound ensures Maximum Saturation steers clear of what could have easily gone down the derivative and tedious Blues Rock avenue.
Girlfriend is my particular favourite with its in your face riff, but Not Willing To Play is a close second. The wonderful closing Outro, sounds as though it is in an actual Rock Club, which is ideally where you would listen to Sweet Sweat. One day soon hopefully!
You can listen to and buy the album here. You can find out more about Nick Frater here.
....................