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Showing posts with label Edward Rogers. Show all posts
Showing posts with label Edward Rogers. Show all posts

Tuesday, 24 January 2023

I Don't Hear A Single Albums Of The Year 2022 : 41-50



This year, the standard has been the highest since IDHAS began six and a half years ago. Narrowing things down to this 100 as been really difficult. For each album, I've posted a song from it and a link to the IDHAS Review where you can find further details and how to listen or buy the album. 

A reminder that anything reviewed on I Don't Hear A Single is highly recommended.


No 41 : The Mellons - Introducing… The Mellons!    IDHAS Review




No 42 : Chris Lund - Indian Summer       IDHAS Review




No 43 : Rogers & Butler - Brighter Day     IDHAS Review




No 44 : Sarchasm - Conditional Love         IDHAS Review





No 45 : Adrian Belew - Elevator    IDHAS Review




No 46 : The Happy Somethings - Running Away With The Happy Somethings      IDHAS Review





No 47 : Rob Moss and Skin-Tight Skin - Now With More Rockets    IDHAS Review




No 48 :  Ex Norwegian - Spook Du Jour    IDHAS Review




No 49 : Young Guv - GUV III   IDHAS Review


   

No 50 : Affiliate Links        IDHAS Review



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Monday, 19 September 2022

Rogers & Butler - Brighter Day

 

Edward Rogers solo album, Catch A Cloud, was in the Top 20 in the IDHAS 2021 Best Of Year and still resonates. You can read the review here. I commented that you shouldn't expect big choruses on that album, the opposite applies here. 

Rogers second album with Steve Butler is an absolute gem. I'm a long term fan of both and in particular Smash Palace. Their voices are very different. Butler is very much in Ian Hunter territory, particularly Hunter's last three albums. 



The joining together works so well. For Rogers part, his pop sensibilities are far more to the fore, if anything he's lightened up, still writing the lyrics whilst Butler does the music. The harmonies also blend brilliantly, something maybe alien to two lead vocalists in their own ventures. 

Songs like The Sun Won't Show and Brighter Day are fine melody lead songs with catch all choruses, gently drawing you in. Oh Romeo is great Americana, yet Cabaret is a haunting ballad. A Brand New Tomorrow is a cracking slab of Psych Pop.



Marmalade Eyes is probably the stand out. Very late 60s Singer Songwriter in the verse, then exploding into an astounding chorus. A little folky, but you sense the Psych is bursting to get out. Last Reply runs it close though, a piano led McCartney Pop affair that would have fitted beautifully during Brit Pop. There's also a baroque pop arrangement on the edges.

Where Does The World Hide fairly bounds along with a great Twanging Riff demonstrating the strength of the union.  That is the strength of Brighter Day, Rogers and Butler suit each other perfectly and the result is a splendid album. 



You can listen to and buy the album here.


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Saturday, 29 January 2022

I Don't Hear A Single Albums Of The Year 2021 : 11-20



It's been difficult to get these choices down to 100. I'm also not a believer in saying one album is better than another. Most of the time you are comparing Apples To Oranges. I'm not a List person, I just think what's the point?

However, for the last few years I have compiled annual Best Of 's  because these posts seem so popular and the aim of this Blog is to get exposure (and Sales) for the artists. There is no meaning or judgement on an album that is Number 1, Number 100 or not on the list. Anything that I review on here, mention on Social Media or play on the Radio Show is as highly recommended.

There are few rules. All albums have to have been reviewed on IDHAS. Reissues and Live Albums are not included. Previously unreleased albums are included, but Best Of's are not. For each album, I've posted a song from it and a link to the IDHAS Review where you can find further details and how to listen or buy the album.


No 11 : Mothboxer - On The Flip Side     IDHAS Review





No 12 : David Brookings - Mania At The Talent Show    IDHAS Review

 


No 13 : Edward Rogers - Catch A Cloud     IDHAS Review



 

No 14 : Nick Frater - Earworms          IDHAS Review
      



No 15 : Caper Clowns - Abdicate The Throne    IDHAS Review

       


No 16 : The Armoires - Incognito       IDHAS Review


 


No 17 : The Boxcar Suite - Every Side Of The Abyss     IDHAS Review




No 18 :  The James Clark Institute - The Colour Of Happy   IDHAS Review




No 19 : The Toms - Tomplicated   IDHAS Review




          
No 20 : Quick Fiction - Fingers Crossed         IDHAS Review




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Tuesday, 5 October 2021

Edward Rogers - Catch A Cloud

 


Variety is apparently the spice of life and you are always gonna get that with an Edward Rogers album. This is his eighth and each that proceed it are thought provoking and feature songs that catch you by surprise. This one though seems like his most personal yet and it drops your jaw as the palette of styles hit the canvas.

This man is one talented fellow. His Atlantic Tunnel Radio Show is also inspiring. I was also especially interested in Catch A Cloud with two of my favourite guitarists, James Mastro and Marty Willson-Piper  guesting as well as Sal Maida being on Bass. Talking of Mastro, What Happened To Us is so Ian Hunter that it could have easily been a track on his last three albums. The resemblance is uncanny.



Last Of The Summer Wine doesn't feature Compo, but it does sound like a cross between Martin Newell and Al Stewart. It is wonderfully haunting. Too Far From The Candle has a splendid Psych Pop feel courtesy of MWP. Button Box is incredibly atmospheric making you feel that you are in the Button Box itself.

Imaginary Man sounds like a Peaky Blinders Soundtrack addition. A vocal delivery akin to Nick Cave without frightening you into the cupboard under the stairs. Hayley is spellbinding in its reach, essentially Folk at heart, but the instrumentation is so left field and magnificently moody.



Oh to be inside Edward Rogers head! Catch A Cloud is such an inventive album. It isn't for the faint hearted and don't expect singalong choruses. It is a work of staggering talent and worth any or all of the effort taken to appreciate it.

Any of these eleven songs could have been chosen to embed in this review. There is beauty in the album's journey and you can marvel at the construction of the songs. You won't hear an album like this all year and that in itself is acknowledgement of how good it is.



You can listen to and buy the album here.


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