No 41 : The Mellons - Introducing… The Mellons! IDHAS Review
No 43 : Rogers & Butler - Brighter Day IDHAS Review
No 47 : Rob Moss and Skin-Tight Skin - Now With More Rockets IDHAS Review
Edward Rogers solo album, Catch A Cloud, was in the Top 20 in the IDHAS 2021 Best Of Year and still resonates. You can read the review here. I commented that you shouldn't expect big choruses on that album, the opposite applies here.
Rogers second album with Steve Butler is an absolute gem. I'm a long term fan of both and in particular Smash Palace. Their voices are very different. Butler is very much in Ian Hunter territory, particularly Hunter's last three albums.
The joining together works so well. For Rogers part, his pop sensibilities are far more to the fore, if anything he's lightened up, still writing the lyrics whilst Butler does the music. The harmonies also blend brilliantly, something maybe alien to two lead vocalists in their own ventures.
Songs like The Sun Won't Show and Brighter Day are fine melody lead songs with catch all choruses, gently drawing you in. Oh Romeo is great Americana, yet Cabaret is a haunting ballad. A Brand New Tomorrow is a cracking slab of Psych Pop.
Marmalade Eyes is probably the stand out. Very late 60s Singer Songwriter in the verse, then exploding into an astounding chorus. A little folky, but you sense the Psych is bursting to get out. Last Reply runs it close though, a piano led McCartney Pop affair that would have fitted beautifully during Brit Pop. There's also a baroque pop arrangement on the edges.
Where Does The World Hide fairly bounds along with a great Twanging Riff demonstrating the strength of the union. That is the strength of Brighter Day, Rogers and Butler suit each other perfectly and the result is a splendid album.
You can listen to and buy the album here.
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Variety is apparently the spice of life and you are always gonna get that with an Edward Rogers album. This is his eighth and each that proceed it are thought provoking and feature songs that catch you by surprise. This one though seems like his most personal yet and it drops your jaw as the palette of styles hit the canvas.
This man is one talented fellow. His Atlantic Tunnel Radio Show is also inspiring. I was also especially interested in Catch A Cloud with two of my favourite guitarists, James Mastro and Marty Willson-Piper guesting as well as Sal Maida being on Bass. Talking of Mastro, What Happened To Us is so Ian Hunter that it could have easily been a track on his last three albums. The resemblance is uncanny.
Last Of The Summer Wine doesn't feature Compo, but it does sound like a cross between Martin Newell and Al Stewart. It is wonderfully haunting. Too Far From The Candle has a splendid Psych Pop feel courtesy of MWP. Button Box is incredibly atmospheric making you feel that you are in the Button Box itself.
Imaginary Man sounds like a Peaky Blinders Soundtrack addition. A vocal delivery akin to Nick Cave without frightening you into the cupboard under the stairs. Hayley is spellbinding in its reach, essentially Folk at heart, but the instrumentation is so left field and magnificently moody.
Oh to be inside Edward Rogers head! Catch A Cloud is such an inventive album. It isn't for the faint hearted and don't expect singalong choruses. It is a work of staggering talent and worth any or all of the effort taken to appreciate it.
Any of these eleven songs could have been chosen to embed in this review. There is beauty in the album's journey and you can marvel at the construction of the songs. You won't hear an album like this all year and that in itself is acknowledgement of how good it is.
You can listen to and buy the album here.
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