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Monday, 8 March 2021

Nova Waves - Going The Distance



Hold the Front Page, a Pop Rock band have a licensing deal with a major label. Nova Waves have a deal with BMG for this, their second album. So there may be hope for others too, particularly considering that although Going The Distance is a splendid album, it is a bit schizophrenic. Another tick then. with a major signing something that isn't lowest common denominator.

These 11 songs fall three main ways, this may have something to do with the cosmopolitan constituents of the quartet. One member from Australia, two from Spain and one from France. The band alternate between Straight Ahead Pop Rock, Indie Fuzz Guitar and 60's Psych Pop.



All genres are handled adeptly. The Indie gets very late 80's / early 90's Glasgow and throughout there is more than a hint of Pavement. The Shining is very late 70's New Wave Power Pop whilst Night Ride is all moody Noo Yawk Drawl. 

Just A Man is all Garage Noise, whilst Monkeys could be straight out of College Rock. Lady Musgrave is all get it together in the country strumming psych pop, more in common with Cambridge or Canterbury than the poptastic stuff elsewhere. 



Hey Little Bird is another example of stoned campfire pop and Soulseeker is wonderful 60's West Coast, think Gospelbeach. It is the more straight ahead Pop that hits home most, even if is not the main intention of the material. 

Radio Sound is latter day Beatle Pop, Something's Missing is as catchy as hell before it launches into a cracking Fuzz interruption. The stand out song though is the magnificent, Sugar In The Clouds which is 70's Pop Rock of the highest order. 



You can listen to and buy the album here.


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Sunbourne Road - XIE EP

 


Whilst the UK Indie Guitar Scene seems to be a multitude of bands trying to sound like each other, Europe is releasing more and more interesting offerings. Perhaps we should label the UK Guitar wannabes, Brexit Pop, because it coincides with the Little Englander's lack of originality.

Sunbourne Rd are from Italy, not that you'd know it. Main Man, Alex Siodmak is building quite a back catalogue and none of it sounds like his beloved Alex Chilton. Xie is only five songs deep, but that is more than enough to reveal the versatility and originality of the four piece.



Indeed, the main drawback of these five songs may be that their difference confuses the listener about what the band are actually about. Truth is, they are all these things and much more. Although centring on Pop Rock, it is the journey all around the edges that appeals most.

The title track, Xie, is almost Space Rock in style that morphs into a Cult like Guitar finale. Landscape Fantasy is as commercial as Psych Pop can be, it may be a first, a Psych Cigarette Lighter song. Yet, Let It Go, is a piano pop ballad.



In Dependence is magnificently moody with a riff that seems to want to venture into Blues territory. Told Mara is as straight ahead as you'll probably get with a chorus that hooks. The beauty of this EP is that repeated listens unveils even more layers. Highly Recommended!




You can listen to and buy the EP at one of the links included here.


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Friday, 5 March 2021

Oh Those Power Pop Facebook Groups!!!

 

When I Don't Hear A Single initially progressed, I became noted as a Power Pop writer. I never really thought of myself as that.my tastes are fare more all encompassing, but looking back over those first year posts, I probably was. IDHAS was a reaction against the opinions of music fans of a similar age. All new music was supposedly rubbish and I set out to prove them wrong. 

It was more than a coincidence that supposed Power Pop Artists were great examples of new music that was melodic and welcoming. I'd have to say that the vast majority of musicians that I come into contact with are great and appreciative of anyone who helps, writes or talks about them. The majority of writers are too, although some do talk about themselves far more than the artist they are covering and others are so obsessed with a certain artist that every review warrants a mention for the said artist. 

I Don't Hear A Single has evolved and I suppose it centres now around Guitar Pop Rock. As mentioned earlier, my influences are varied and Psych and Prog slip in. But I'm proud that there is a loyal following and those that don't like those genres, just move on to the next post in a wonderfully tolerant way. Google Analytics brings a lot of new followers, some stay, some don't, but all remain just as tolerant.

Power Pop used to have a lot of great writers, there are far fewer now. Maybe people just got tired of the lack of recognition or tired of the genre. Talking to an old friend, during the week, about how IDHAS has progressed, he asked me if I got bothered about the lack of comments on the Blog itself. I replied that I'd never aimed for that. I always wanted the interest to be on Social Media, because that was the quickest way of spreading the word. 

A great part of that interest came from Facebook Groups, particularly Power Pop and that is where the problems for Power Pop grew. As I left another Power Pop Group this week due to the same intolerance from supposed fans, I realised how few I am a member of or contribute to now. The arguments over what is and isn't Power Pop are largely killing the scene. There is little talk of new bands, because all those who mention them have been driven away. There are exceptions, like Power Pop Overdose, but few.

So it is the same bands and artists who are constantly mentioned. I never expected a post about a new band to get more attention than an established band. Raspberries, Badfinger, Big Star will always be clickbait. But I did expect tolerance and people to either move on or at best listen to the band. Instead there is just largely grief about how they are no Badfinger or The Knack. Power Pop is eating itself to the point that people are moving away or don't want to be associated with it. Heaven help anyone who posts a potential Power Pop song by an artist who "isn't" Power Pop.

The argument about what is and isn't Power Pop is laughed at by those who matter. But those who take it seriously and treat "winning" an argument as a badge of honour should be left to their list compiling.  Facebook is crying out for a group that covers the new and under appreciated, but no obe ever wants to run these things. 

I'd also add that I Don't Hear A Single isn't really driven by Social Media any more. I adopted Google Analytics, despite the mind numbing boredom of it, to encourage older IDHAS posts to be found and read. Blogger is great, but it isn't good at reaching people beyond the front page and the most Popular Posts of the month stage. I am no slave to Analytics. I only look at the end of month report. 

When I started to use it, Social media provided I Don't Hear A Single with 75% of the hits. That has gone down month by month to the current 25%. So over three quarters of the traffic in one of the Blog's most successful months did not come from Social Media. That may be because I am far better at targeting IDHAS or it may be that people have become more and more fed up at the "shouting at the moon" behaviour on Facebook in particular. I suspect the latter. 


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Monday, 1 March 2021

Kool Kat Musik Weekly New Release Update



Welcome to the Kool Kat Weekly New Release Update. Kool Kat are distributed in the UK and Europe by I Don't Hear A Single as part of our aim to keep CDs available and affordable. The Kool Kat Links with each album take you to further details on each release..

Please place all UK and European orders by following the details here. Links to Kool Kat's Entire Stock can be found here. Without further ado, here are seven new additions to Kool Kat Musik this Week.


Pearl Charles - Magic Mirror (Kanine Records) 2020      $15




It feels like the steps made between her 2015 debut EP and now - the living of life, and figuring out her place in this world - have led to an evolution into a 70’s radio-rock revival sound, featuring more swaying pedal steel and twanging clavichord en masse - with a delectable delivering of harmonies stacking where prudent.  While the record’s sparkling sheen portrays the acceptance of life – Pearl’s diary, flinging open its pages to question long-drawn-out loves - the inclusivity means the eyes staring back from ‘Magic Mirror’ flit between both yours and hers, all aided by her cool and breezy nature.” – TheLineOfBestFit.com


Kool Kat Link


Bandcamp Link


Kai Danzberg - Rockshow (Big Stir - Wizzard In Vinyl) 2020      $13

                                                 

                                  

Every track on this pop-tastic record is as hooky as you will find this side of an episode of ‘Dangerous Catch’.  There is not a tune presented here that would not be worthy of being released as a stand-alone single.  ‘Rockshow’ is an epic soundscape that sounds like something Freddie Mercury would have produced if he were still with us. 

 

Kool Kat Link


Bandcamp Link


Drive-By Truckers - The New OK (ATO Records) 2020       $14 



                  

“Frontmen/singer/songwriters Mike Cooley and Patterson Hood along with longtime producer David Barbe craft these (Neil Young-ish) Southern tinged, organically rocking songs with solid hooks and tough, sometimes tender melodies energized by the group’s typically muscular playing.  Combined with ‘The Unraveling’, ‘The New OK’ is a powerful one-two punch to the gut from a band unafraid to lay their political stance out for the world to see.” – AmericanSongwriter.com

    

Kool Kat Link


Apple Music Link


The Kavanaghs - Love Conquers Pain (Eternal Sunday Records) 2011      $16 




“Love Conquers Pain” is the 2011 follow up to their brilliant 2009 debut! And what a stunner it is! The Kavanaghs' style is unique among Argentinean bands: their music is a wonderful mix of retro, 60's pop influences. Tiago GalĂ­ndez, the composer, bass player and leader of the band, is a collector and connoisseur of the finest 60's pop music and his band reflects his musical tastes. If you like Badfinger, The Beatles, Rockin' Horse and The Liverpool Echo, then this is without question, for you.
                                

Kool Kat Link


Bandcamp Link


The Sails - BANG!: The Best Of The Sails 2006 To 2020 (Kool Kat Musik) 2021      $14





NEW RELEASE ON THE KOOL KAT MUSIK LABEL – AVAILABLE MARCH 5 – ACCEPTING ORDERS NOW!!  As The Sails (all the work of multi-instrumentalist/producer Michael Gagliano) prepare a brand new full-length in the not-too-distant future, we thought it a good time to introduce/re-introduce the music of The Sails to power pop fans everywhere. This is an all-original blend of groovy 60’s influences with a uniquely modern edge.  The CD delivers the best fifteen songs from The Sails to date.

           


Reverbnation Link


Sounds Incarcerated - Unswitchable Hits Volume 1 (Fool’s Paradise Records UK) 2021      $18

  

Sounds Incarcerated: the noise made when two married musicians are stuck at home and unable to record or perform.  Allan Crockford and Viv Bonsels of The Galileo 7 made the most of their pandemic incarceration by recording an album's worth of cover versions, inspired by a local themed open mic night that moved online.  Allan explains “To pass the time since the world changed in 2020, the two of us have been recording cover versions for Mr Unswitchable’s online theme nights.  Just before Christmas we realised that we had accumulated about 40 minutes of material.  We decided to release them as an album!  All the songs have been remixed and mastered and we’re pretty pleased with it... Consider it the unexpected half-sibling of The Galileo 7’s ‘Decayed’ collection, albeit with a slightly more eclectic (or eccentric) choice of songs. 


Kool Kat Link


Various Artists - Lost Innocence – Garpax 1960’s Punk & Psych (Big Beat Records UK) 2021   $15




Top-rated West Coast garage sounds from the vaults of maverick genius Gary S Paxton, who is described as having “few peers” in a business that, certainly during the golden era of the 60’s, thrived on innovation and inspiration. Paxton didn’t lead the way, but he didn’t follow either; his innovation was his inspiration, a feverish parade of crazy ideas that shouldn’t have worked but did, that marched to the beat of his own, rather unhinged, drum.  This vital compilation is significant for what it does and the way it does it. Every band is discussed in the liner notes, every stone is turned over and context is given. The sound quality is superb.  
 

Kool Kat Link 


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Sunday, 28 February 2021

The Gold Needles - What's Tomorrow Ever Done For You (Updated)


The Gold Needles are from Hull, but you really feel they should be from the West Coast Of America. It has been great to see their development on this their third album. I reviewed their first two albums on here and number three doesn't disappoint. It is also worth noting that Mark English, the keyboard player, is one of the nicest guys that you could ever be introduced to. 

The band specialise in a type of Psych Pop that is very Sixties with the emphasis more on Pop. It is a brand of Psych Pop that certainly isn't Paisley Shirt, more like Fisherman's Jumper. A cross maybe between Graham Nash era Hollies and The Seekers.



That's not to give the impression that this is an album for pipe and slippers. When the band break out, they do so with an admirable urgency. Story Of My Life is a smashing slice of New Wave Power Pop and Suzie Is Sorted is 1974 UK Glam Rock at it's best whilst still having overtones of 60's Toy Town Pop in the chorus.

Dead Man's Hand verges on Blues Rock, almost Blue Oyster Cult at times and the lead single, Billy Liar is an absolute joy. The latter sums up everything that is great about The Gold Needles, it is a romp of a single, there are hooks everywhere.

Special mention must go to the wonderful mind blowing, Realm Of The Black Dog, an absolute Psych masterpiece about Depression. It could very well be the best thing that you will hear all year. The title track, I Get The Pressure and Precious Times are more in the aforementioned, laidback pop mould, all great songs, beautifully played, arranged and sung, 



Three covers in a 12 song set is a lot, but The Hollies' Have You Ever Loved Somebody? is an exceptional version of a great song and more people should cover The Sound. The resulting Counting The Days is very different to what surrounds it, maybe a more modern slant. I'm not sure though that the world needs any more Beatles related covers, other bands are available.

I'm convinced that listening to this album will drive potential buyers to open their purses. What's Tomorrow Ever Done For You is a fantastic album, at its best when it explodes out. I don't see many other bands that are as consistently excellent as this lot. Highly Recommended.



You can buy the album on Vinyl, CD or as a download here


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Friday, 26 February 2021

The Young Hearts - The Modern State

 



Back in late 2017, I reviewed The Young Hearts' EP, Honestly I'm Just Thinking. You can read that here. Now that the band's full length debut is with us, it is great to see that they have not lost any of the promise of that EP. It is also a chance to reflect on the mistaken impression that the older audience have of Pop Punk. 

The Young Hearts are not Pop Punk. Although their roots are in it, they are still lumped in with the genre. There's also nothing wrong with that, except music fans think there is. It used to be that people saw the word Punk and ran. Now it is more than that. The genre is held back by an impression of baggy half pants and automated robotic, almost talking, singing. A thought that it is a young man's game that should not be your cup of tea. A Leave it down wiv da kidz attitude.



It is worth noting that the genre has moved on and there is not much left of it. This opinion on yoof is a misidentification. The early adopters of the genre are now approaching middle age and the scene has developed into a showcase of more every day talent. Very much as I am associated with Power Pop writing, but write little about True Power Pop these days, so Pop Punk bands are still associated with the word "Yo".

You can tell that The Young Hearts roots were in Pop Punk, but they have grown into one of the best UK Indie Guitar bands and let's face it, there are few of those about at the moment. The UK Music obsession with algorithms and preaching that the Guitar is dead is proved unfounded when you hear an album as good as this. 

Here are 11 songs that are built on melodic riffs and big choruses. These four can play and do so at an almost breakneck pace. The choruses are memorable and become ear worms. Guitar solos hit the spot without, thankfully, ever being plank spanking.



If you want something slower, here's Swim, a song that threatens to break out in to something almost Celtic. Anchors is another example of suitable moodiness with a wonderful organ run. You can even get your Lighters out, if you can find them amongst the Vape Liquid collection, to the title track.

But it is that pace that suits the band best and that'll be demonstrated if live venues ever reopen. Songs such as Wild And Restless and Easy Life get those fists pumping and London is a gem of a song. The Modern State isn't a Pop Punk offering, it is a great Guitar album. Proof that the Guitar isn't dead and the UK is also about real instruments.



You can listen to and buy the album here.


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Thursday, 25 February 2021

Your Academy - Your Academy



I've sat on this for a month or two, although I have played Heaven Knows on The IDHAS Audio Extravaganza. Now that I'm back in the review chair, I can't hold out any longer. Your Academy's self titled album is an outstanding Pop Rock offering that I know will feature on many more Power Pop Blogs as the year progresses.

After failed attempts to reform Crash Into June, a band many of us are familiar with, for a new album, Johnny Norris gathered together Your Academy. Featuring Chris Gafford and Dan Shumake who were on the CIJ debut, Blind To Blue, Brandon McGovern, a solo artist who had played Guitar in Dwight Twilley's band and producer and Big Star archivist, Adam Hill. 



Labelled as a return to Memphis Power Pop, the album sounds much more than that. It cuts across classic Pop Rock such as Raspberries, whilst taking on AOR, the Country Rock of say, Lonestar and more modern examples of Indie. 

Heaven Knows is a wonderful country pop-esque single whilst Why Don't We has real Vegas With Randolph overtones. Bluff City could be Desperado period, Eagles and Better Nature is upbeat Jangle Pop at its best. I hate to mention Teenage Fanclub in fear of the Cliche Police, but Starlight really does sound modern day TFC.



A number of things ring out. Adam Hill's production is wonderfully big and bold and the quality of the songs are to be applauded. Superb harmonies and arrangements and some top notch playing. But the real stand out is McGovern's vocals. Easy and Gentle on the ear, they are wonderfully laid back. 

The album has me running to dig out his four solo albums, but Your Academy feel very much like a sum of the parts five piece. I really hope this isn't a one off album, because I'd love to hear much in the future. This album is a splendid laid back listen.



You can listen to and buy the album here.


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