The collaboration of Marc Jonson and Ramirez Exposure is an intriguing one. A mix of generations and different continents has resulted in this fine album. Jonson could lovingly be called a veteran, now residing in Plainfield New Jersey, Victor Ramirez in Valencia and noted for the splendid Ramirez Exposure.
One a respected solo artist whose songs have been notably covered, the other one of the new breed of Power Poppers. This isn't the first time they have worked together. Jonson produced Ramirez Exposure's 2017 album, Young Is The New Old and they embarked on two tours together, the second with long time IDHAS hero Richard Lloyd in tow.
This album was released last October, but I am delighted to tell you that Volume 2 is due next month and it is every bit as good. The mix and matching of voices works perfectly and enhances the variety on display. Jonson has a wonderful slight gravel to it complemented perfectly by Ramirez's gentler tone.
The harmonies are splendid, multi tracked for the biggest sound. The material moves effortlessly through the years. Tape Recorder deserved the attention that it received, there is so much within. A top notch Jangle with a wall of Spector-ish sound. Zing Zong is a cracking slab of Psych Pop as a complete alternative.
Tilting At Windmills is stripped down beautifully, Everlys like and The Magic Creek is wonderfully produced and all 1967. Sour Lemonade Sour oozes aches and I Don't Know Your World heads down a Country path, yet remains a jaunty campfire affair.
Rain Rain is pure Bubblegum with a great arrangement, particularly the vocal harmonies. Appears is the ballad, again mastered with ease. There is a real 60s feel to proceedings and the vocal harmonies just completely win you over. I can't wait to tell you about Volume 2/
You can listen to and buy the album here.
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