Clock Radio - Turfin' Out The Maniacs

Clock Radio are a quartet from Wiltshire, the same county as our beloved Andy Partridge and there are similarities here. The same unexpected lyrical subjects, the quirkiness, the surprise arrangements and the instrumental variety.

However, Clock Radio give the impression of a crack Indie Guitar Pop band with a great record collection fronted by Neil Hannon. Vocally, you can imagine reviewers coming up with Divine Comedy, But that may confuse you.

Because separating the vocal, there are hints of the Bonzos and big wedges of Psych Pop. The four are incredibly inventive, No Death is wonderfully arranged and based around a killer Psych Guitar Riff. But there are many steps in other directions.

Although not sounding anything like them, you can hear Morrissey and Nick Cave. Turfin' Out The Maniacs is at its heart Intelligent Indie with an ability to provide unexpected arrangements and yet purposely at ease with Guitar Pop.

Brought to us via a submission for Listening To This Week, exactly what that was meant to do in providing albums to review. I am just amazed that this is a debut album, the band sound more like sonic troubadours.

As with the Buddie Review, we haven't described individual songs, simply wanting you to head over and listen to the whole album. Although this has some stand out singles that could be chosen, it is an album and albums should be listened to from start to end. They are not playlists. I've picked my three faves, but yours will probably be very different.

You can listen to and buy the album here. You really should! 

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Buddie - Glass

 

Keeping Canada well on the musical map, Buddie return. 2023's Agitator was No 3 in the IDHAS Best Albums of the year and we have been anticipating the quartet's return since last year's excellent Impatient single which is on here.

Buddie boss the type of Indie Guitar Pop that we adore. Slightly left field, slightly slacker, slightly DIY Riff wise, but with great memorable choruses and great melody. Add lyrical adeptness to their accomplishments. But they are not like too many Guitar Pops.

These songs are about concerns with the state of the nation, economically and atmospherically, not the usual twaddle about lost love. They go down routes that others don't musically, but are so damn catchy and memorable listens. Beautifully arranged vignettes. You can read our review of Agitator here. 

Unlike other Indie Peers, they aren't sugar sweet, nor will they try to club you to death. The songs just grow and grow on you until the choruses are earworms. Daniel Forrest's gentle vocal is in contrast to the instrumental arrangements.

The band can even slow things down beautifully as proven by Blackout. There isn't a major shift from Agitator, but why would you want that, it is such an ace album. I've picked my 3 faves, Antartica, 2005 is a great place for newbies to start, but all songs are worthy of embedding. Glass is Top Notch!

You can listen to and buy the album here. The album is available on Vinyl, CD, Cassette and as a download.

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Dave Cope And The Sass - Walmartyr

 

Dave Cope is prolific. I get to hear a lot of songs that don't see a release, but recently these songs have made albums. Every album that he releases takes a different path completely. Folk, Psych, Classic Rock, Indie Rock, 80s New Wave are just some of the avenues that he has walked down.

An incredibly gifted multi instrumentalist, most of the albums are him and Fred Berman on Drums, but the majority of this album is him alone, bar the bookends in which Cope is part of a trio and both angles work perfectly.

As probably given away by the album title and cover, Walmartyr is a concept album, largely a stab at 90s Rock, not the lyrically woe is me part, but certainly instrumentally. It also shows that the genre could be melodic if you managed to get through the fuzz and the noise.

The two trio songs are splendid. The title track is a story telling affair with an absolute killer chorus. Don't Let My Dreams Come True is anthemic, a song that I've heard at different stages and it has that 90s sound, a little Nirvana on the chorus with a storming Guitar solo. They absolutely nailed the song here.

Psychotic Romeo is heavier and works just as well. Devil City Woman goes all Golden Earring with a side order of UK Glam. Hell Or Hollywood is more Pop Rock, more Cope archetype, his base camp if you like. Killing Game edges towards Hard Rock and again masters it.

The sheer volume of Cope songs is amazing. Generally with such artists, quality can be an issue, but there's not a bit of that here. The changes in genre, album by album, also successfully take you along. For instance, I never thought I would be listening to a Folk album in past years. The songs are so lyrically adept too.

You can listen to and buy the album here for the bargain price of 5 dollars.

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Gift Horse - Overtime...

 

There is some great stuff coming out of Australia and Brisbane Trio Gift Horse are another fine example. Overtime... is effectively Power Pop, the new breed of the genre, more akin with Classic, but being Australian allows the band to take big footsteps into other genres.

Oz has always had an Indie Rock bent, yet people continue to associate the country with Jimmy Barnes Rawk. There are hints of The Church and my beloved Psych Pop, but there is also much to compare it to 80s IRS and its like.

The song that most encompasses all of what the trio do is Perfect Storm, a song that is totally engaging, including a great touch of Jangle. Whereas the likes of Fathers, The Running Wild and Talking To You demonstrate what a great Power Pop they can be. It is the diversions that float my boat most.

Blacklist has a great Jangle, but sounds more Classic Rock, even rocked up Americana.  Overtime is more fuzzed up and OK is lengthier, more Rock. The closer, Already Gone has a West Coast feel, great Jangle Pop with some wonderful Guitar work. It is slower and moodier and that works allowing a great Guitar breakout.

There is a Psych Pop feel to the whole album, splendidly so, but the most notable is the masterful If You Want It. A song that the band absolutely nail, a nod to the great Australian Indie bands of the 80s, but allowing that Psych Guitar sound to thrive. Overtime... is a wonderful listen.

You can listen to and buy the album here. It is available on Vinyl, CD and as a download.

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Listening To This Week Playlist 10 November

 

27 songs this week  All are corkers and reveal the scope of our tastes. As well as the traditional version, we have put the playlist on Spotify and you will see the link below.  26 of the 27 songs are available on Spotify. 

This is the penultimate Spotify version. The notes in the post below this one explain why. We also note another upcoming increase in Spotify subscription prices. None of this increase will go to the type of artists that we cover. We feel that we cannot support a place that allows great music to fall down a big black hole. We are continuing for the next two weeks because we have submissions in that may expect to be on Spotify. 

The weekly playlist is largely for submissions, not just the usual stuff that we dig out ourselves. The song order is not about song preference, but how the playlist flows.  All embeds open in new windows to aid scrolling. Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 

The Penultimate Spotify Version   (The Suncharms - Endless Departures is not on Spotify)

Link To Spotify

The Boojums - Wings Of Fire

Clock Radio - Blood On Chrome

Winterpills - Lean In The Wind

The Yancys - Where Do You Sleep

Strange Passage - Daylight Savings

The Suncharms - Endless Departures (Not On Spotify)

Space Kitchen - It's My Passion

Guv - Let Your Hands Go

Clamsterdam - Radiator

The Response - Where Do You Run To?

The Blackburns - Chances On Love

Blake - Asking For A Friend

Coast Red - Afters

Coast Red · Afters

Joy Buzzer - If You Can Forgive Me

Joy Buzzer · If You Can Forgive Me

The Cindys - Dry TV

Holdover Holiday - Allie Lie

Elise Truow - The Perfect Girl

Gregory McLaughlin - Businessman

Positive Chaos - Bowl Me Over

Positivechaos · Bowl Me Over

SCHMOOZE - Too Late To Plead Insanity

Nepal Death - Ashen Pilgrim (Hippie Trail Edition)

Atom Lux - Bad Snake Good Snake

S.Karma - No Home Without It

Lorne Mower - Biding Time

Maw Sit Sit - Walking Journey

Mt. Air - Ghost Away

Anthony Ruptak - Phantasmagoria

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Thoughts On Spotify And The Playlist.

 

Firstly, I'd like to apologise for the lack of Reviews this week, It is simply down to Bonfire Night being this week in the UK. Fireworks have been going off all week and we have a five year old Lurcher who is petrified of the noise. It has meant that our evenings have been dedicated to making him feel safe and he rightly needs constant attention. So typing up Reviews has been a no no. Tonight has been the worse night so far and it is 3 days since Bonfire Night passed.

There are loads of Reviews to come. On Friday alone, there were eight great releases and these and others will all be posted next week. I may go early with Monday's Listening To This Week tomorrow night, it the noise continues and hope that will be an end to all the unnecessary bangs.

The main reason for this post is about Spotify and Listening To This Week. We've trialled it as a secondary playlist for most of this year. I am Anti Spotify, great music goes down a big hole and the artists earn nothing from it. It was simply introduced because of a demand from artists despite our negative thoughts and we are about artists and the music.So, it has been decided to end the Spotify version. 

However, its use by us and our thoughts on its general uselessness have made the decision for it to go. There is no doubt that there is a certain popularity with the Spotify version. But that does not make up for our thoughts on how it treats musicians for their art. I don't use Spotify for any other reason than porting LTTW to that format. I don't listen to music via it and don't like the ways that members have to join to listen to the music on it, hence the reason for not embedding Spotify on IDHAS.

So the decision to end the Spotify Playlist has been made. It will end as soon as possible. It will be given a couple of weeks because there are submissions in that the artists will expect to be on Spotify. However, all future submissions will not be put on Spotify and this will be made clear to artists. This is particularly relevant for artists that who only send us Spotify links.

In future, ant PR, label or artist will be gently reminded that we don't do Spotify if only a Spotify link is sent. We will not listen to any Spotify link. If submitters continually send Spotify links after we have mentioned this a couple of times, submissions will be deleted without reply.

It is felt that the main success of I Don't Hear A Single is from our reputation and by word of mouth of followers and peers. This is what opens doors. We will never make artists massive, but we do get their music to other listeners which aids their growth. IDHAS is about New Music and Spotify isn't interested in the slightest about that.

I hope you understand our reasoning.

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Baker Island - Love Eggtually

 

I think many of you know how much I like Intelligent Indie, I scour for it. It isn't the type of Indie that you see pushed up front in the never-ending list of playlisters who bang on about how cool they are, the artists being secondary and lobbed in amidst the mediocre and the ordinary, usually of Bucks.

This type of invention usually comes from these shores and the Newcastle five piece are from Newcastle. Listen to the whole thing and you will be transported into a land of surprises. It is heady mix of constant surprises.

At its heart, this is Indie Pop, Alt Pop even. But it is so much more. You are reminded of the obvious peers like XTC and The Sugarplastic, but also the slightly geeky 80s New Wave and the adventurous Psych Pop of the 60s. There is even a hint of Russell Mael vocally at times.

Guitar and key riffs cross over, songs change direction at will. There are six songs here, but hundreds of ideas. Take the title track, which opened the current Listening To This Week. It is all 60s Toytown in feel with that splendid Psych riff and the wonderful vocal harmonies. 

There is obvious so much thought that goes into the songs. This is a group that know their influences, but make them almost unique in their output. The Angular Riff and cheap Casio soundalike of the keyboard is endeared by great vocal harmony on Let Them Eat Cake And Have It.

Dogged By Ill Luck is much darker, extraordinary good Psych Pop to a vintage Kids TV Theme sort of thing. Fortune-Teller Friend is beautifully twee with a driving Bassline, very very Sugarplastic, basic but with so much within.

Champion's Visit is the big one. 7 minutes that fly by, at times the band's most accessible song, more than a Little Brit Pop, but again lyrically adept, unlike most from that genre. There is also a mind-blowing vocal harmony segment that is just amazing, Active minds provide active songs and these five are therefore hyperactive. What an absolute corker of an album!

You can listen to and buy the album here. The album is available on CD and as a download.

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Humbug - Open Season (Name Your Price)

 

Los Angeles quartet, Humbug have fashioned a great debut album. In essence, Power Pop, but Aidan Cole's laconic vocal allows the band to stray into other areas such as Indie Rock, although the melody is never ever lost.

There is also a feel of the better part of 90s Guitar Pop bands. Weezer-ish maybe without ever sounding like that band. There is though a Slacker like quality at times and lyrically these are great story songs adding a really creditable depth.

The songs are splendidly arranged and performed, the whole band are locked in, but another special mention should be for Alex Cubillos's Guitar work. There are some stunning riffs and solos. Open Season is quite a debut.

There is also fine variety. Backlot jangles like a good 'un and I Know The Story starts wonderfully melancholic and then launches into great 80s Indie Pop with added harmonica. Enjoy The Movies gets all "Let's do the song right here", all streamy and foot tapping.

Yet, Nina is great urgent crunchy Power Pop and Galaga could be a 90s Sit Com theme, killer Guitar included. The band excel on the title track, a song that chops and changes at will, one of the best opening songs that you will hear all year, a song that sets the tone of what is to come.

You will have heard Barbara Says on the Listening To This Week Playlist and it remains a wonderful listen, lyrically adept and beautifully played as the whole album is. Open Season is one of the strongest debuts that I have hears in a long time. Go Buy!

You can listen to and buy the album here.

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Dom Mariani - Apple Of Life

 

October's 31 Reviews in 31 Days unintentionally referenced returning heroes and here is another. Dom Mariani has an extensive back catalogue that fits what we've always done. Through The Stems, The Someloves and particularly DM3, he has lit up our world.

After spending the past decade or so with the Blues Rock of Datura4, Mariani is back on more familiar territory. Apple Of Live is more Pop Rock than previous Power Pop related joy, but a song like World On Its Head revives the urgency and pace of those DM3 days.

The Pop Rock is ace, very 70s at times and reveals the sheer melody and harmony of Mariani's songs whilst venturing into different areas. Where Do Lovers Go, for instance, is built around some wonderful Steel Guitar.

Breaking Point sounds more 80s, AOR even, and Take It All Back adds more Steel Guitar, but sounds more Badfinger or Raspberries. Just Can't Wait again points to those DM3 joys, a great Power Pop affair that adds a memorable chorus. You will also find yourself singing theApple Of Life chorus for weeks and weeks.

There is more Steel Guitar than the Jangling of yore, but the arrangements are spot on and the production brings out the best of Mariani's easy vocal. There is also the stand out opener, Breakaway, that adds organ and an unforgettable chorus. You do forget that he is such a fine Guitarists, this is a big reminder, It is splendid to have Mariani back on home territory. 

You can listen to the album here. It is available on CD and Vinyl here and all good record shops.

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Listening To This Week Playlist 3 November

 

27 songs this week  Feels a bit of a sway to our base camp of Guitar Pop. However, there are some wonderful deviations. As well as the traditional version, we have put the playlist on Spotify and you will see the link below.  25 of the 27 songs are available on Spotify. 

The weekly playlist is largely for submissions, not just the usual stuff that we dig out ourselves. The song order is not about song preference, but how the playlist flows.  All embeds open in new windows to aid scrolling. 

Links to the artists will also appear on I Don't Hear A Single Social Media sites over the next 24 hours. This will help you to discover more about the artists who appear here. 

The Spotify Version    (The Sylvia Platters and Earwig songs are not on Spotify)

Link To Spotify

Baker Island - Love Eggtually

The High Frequencies - Nothing Really Stays The Same

Humbug - Barbara Says

Parent Teacher - Fire Door

The Len Price 3 - If I Could Cheer You Up

The Len Price 3 · If I Could Cheer You Up

Andrew Weiss And Friends - I Don't Wanna Live In This World

Julian Cubillos - Haunted Paradise

Trolley - Shiny Cars

Color Palette - Zombie

Livingmore - Resident Psycho

Shapes Like People - Supergirl

The Goods - Sunday Morning Out Of The Blue

Tirra Lirra - Snake Chalmer

Moberod - Cut It Out

moberod · Cut It Out!

Belle Blue - Needed You More

Strayers - Only Human

Gift Horse - Fathers

The Sylvia Platters - Alone     (Not On Spotify)

Train Conductor - Elephant Graveyard

Subsolar - Here And Now

Earwig - The World Is Coming 2 An End (Not On Spotify)

Quixote - Bioluminescent Eyes

Father Of Peace - Heaven

Holy Coves - Falling Down

Holy Coves · Falling Down

Alpacca-in-Chief - You Lead The Way

mylittlebrother - you know better

Karaboudjan - 3615 Papagai

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Parent Teacher - Doombloomer

 

New York's Richard Spitzer is Parent Teacher and Doombloomer is right up our street. Essentially great Intelligent Indie with a real melodic Pop feel. although the wonderful vocal is hidden under the incredible arrangements which are truly mind blowing. 

It is these arrangements that mark Spitzer away from the masses. He has incredible voice that would suit many of the Weezer and Power Pop or Pop Rock wannabes, but these arrangements are so original and interesting that you lose sight of the vocal excellence at times.

The album is splendidly Lo-Fi, but don't let that put you off in anyway. The variety is special. Demonise flirts with Psych Pop, yet Stepping Stone is fine 80s Pop that you can dance to. Hysterica mixes a 90s Rock backbeat with a corking killer harmonic chorus. 

There are two real standouts. The sheer Indie Rock moodiness of Homesick, which is almost Post Punk. Then there is the exquisite Guitar Pop of Fire Pop, with a cracking synth addition and A1 Vocal, which is one of the best things that you will hear this or any year. Doombloomer is extraordinarily great.

You can listen to and buy the album here.

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Blake Collins - There's Nowhere Like Here

 

There are plenty of artists who have tried to nail 60s Guitar Pop across one or seldom albums. Most have failed due to it all sounding a bit fake or contrived. Too much about trying to be cool than thinking about the sound of that decade. Los Angeles's Blake Collins brilliantly nails it.

It the sound of Early Beatles and Merseybeat up to the gentler side of UK Beat. The songs stand on their own, but the sound is perfect, particularly the drum Sound which is captured wonderfully well. The songs are well written, a little reverential maybe, but beautifully played.

The twang of You've Been On My Mind, the all together now shuffle of Alright Now. The Beatles like quality of their pre Rubber Soul songs on the title track. You can imagine Collins playing Good Good Good on Ready Steady Go.

Tears Come Down shows the songs can be slowed down and adds a Duane Eddy twang. I'm Not Going To Take It Anymore is more Beat, more second half of the 60s.  There's Nowhere Like Here is very nostalgic, but splendidly produced, written and performed.

You can listen to and buy the album here.

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Slow Motion Film - The Rule of Six aka Untitled#2 EP

 

It is great to have the Amoeba Teen splinter Trio back with their second EP. The first suggested that the Stourbridge three were not going to continue the catchy Guitar Pop of their previous group, it was Rockier and noisier and was a notification of great things to come. 

This takes the band further away from their roots, much further and it is dynamic. The opener is not a major departure, but more Indie Rock akin to the more interesting non synth 80s.  Escaping Berlin is followed by Hot Badger which is noisier almost Fuzz Pop, real shake your fist stuff over 96 seconds.

But then the EP takes a much different turn with two longer pieces. ONSY starts the first part of its 9 and a half minutes as part Prog, part Pop Rock, but then it explodes into a masterful mix of Psych and Alt Rock instrumentally. Heavier shoe gaze maybe, but absolutely hypnotic.

The soundscape is taken even further with the closer, Universe, again long at over 8 minutes. This feels more Prog at times, but again holding its Psych and Shoegaze with added Trumpet. It is an incredible listen. A change of direction maybe, but a very welcome one for these ears.

You can listen to and buy the EP here.

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31 Reviews In 31 Days Done And Dusted.

 

That's the 31 Reviews in 31 Days done in what was one of our busiest months. Fear not, there are more to come as time constraints have meant there is a carryover, plus presently we have 18 albums with forward release dates, including two long awaited ones that are released tomorrow. 

We eventually managed to review 37 in October. So it may be worth checking the month over to see if you've missed any of the great offerings. It really has been a stellar year and as the year has progressed, it has got better and better.

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The Len Price 3 - Misty Medway Magick

 

It's been three long years since Ipdipdo and so it really is time for more Medway Magic. Having inadvertently covered the debut album from Glenn Page's son Tom's band , it is time for dad. Incidentally, the Cream Soda debut has been rigidly in our Top 10 Most Popular Reviews since release, still is.

Although very much a locked in trio, it is Glenn's dulcet tones that mark out the difference to other bands who follow a similar path. That and the strength of the songs of course. The Len Price 3 are never far away from outstanding Guitar Pop, hence being on the Wicked Cool label.

Unfairly lobbed in with the Mod Pop brigade in their early days, there is much more to them. If anything there is more of an affinity with UK Beat, particularly the early years of The Kinks. But they also branch into Jangle Pop and more modern Guitar Pop.

The Len Price 3 · Emily's Shop

Page is joined by bassist Steve Huggins and Drummer Neil Fromow in this high energy trio. My world is lit up by the ventures they make into Psych Pop, and there is plenty here, when they come across like a less Psych competitor to Orgone Box. 

They certainly are at the top of their game here. The likes of Emily's Shop and Misty Medway, the Psych Pop excellence is demonstrated, yet the three can handle slower numbers like the melancholic closer,  One Day You Will Break My Heart which almost breaks your heart.

The Len Price 3 · The Luckiest Guy Alive

The Luckiest Guy Alive may be the best Pop Rock song this year, wonderfully arranged with a jangly Guitar Riff. There's also real wit present on the likes of If I Could Cheer You Up and these are not throw away lyrically, songs are stories in many cases.

They have also not forgot about the raucous UK Beat when the Power Trio takes over, particularly on You've Changed. The Len Price remain one of the great Guitar Pop acts around, live and in the studio. They master switches in tempo and sheer melody. Misty Medway Magick is an album to add to your collection now.

The Len Price 3 · You've Changed

You can listen to the album here. You can buy the album at all good Record Shops everywhere and some of the places here.

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Julian Cubillos - Julian Cubillos

 

It's been 7 years since the last Julian Cubillos album and all the way from Queens, New York comes an intriguing listen. Having spent the time in between as a collaborator, this self written and played album is an absolute joy.

His gentle vocal suits so much and here in delicious lo-fi, he wanders across the genres and when he occasionally Rocks out, he does it with verve across unusual inventive arrangements and fascinating riffs. The best example of this is the I Used To Be Someone.

But Cubillos can also be Poptastic, the strumathon of Haunted Paradise is somewhere between Indie Pop, Dream Pop and Guitar Pop. There's also a dance feel to Fruit Stripe as it races along at pace. Yet Portuguese Bend is soulful with an engaging vocal. A little 70s even.

Yet stripped down, he is just as good. The opener, Returning is a surprise choice, with all the left field arrangements elsewhere, it is a straight ahead Acoustic Pop song. Flesh & Blood has a driving bassline and is particularly Pastoral with a slight hint of Psych Pop.

Does It Hurt You is much more in the Psych Pop mould, again laidback, but instrumentally magnificent and hypnotic. It is a cracking listen that mixes the smooth with the Intelligent Indie. I usually try to provide total variance in my three embedded songs, but the more Electric stuff just knocks similar protagonists over the boundary. A real winner!

 

You can listen to and buy the album here.

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Vegas With Randolph - Drops Of Gold : The Best Of Vegas With Randolph

 

A celebration of the career thus far of Washington DC's Vegas With Randolph. It isn't deliberate, but this month seems to be celebrating releases by bands that we covered in our early months. This lot were one of the earliest.

We reviewed Rings Around The Sun in 2016, their third album, we weren't around for the 2008 self titled debut nor the 2011 follow up,  Above The Blue. That album remains one of my favourite albums ever, I still listen to it regularly and it sort of announced what we were about.

The band specialise in outstanding melodic Pop Rock. Two vocalists, Erick Kern and John Ratts, who sing lead on their own songs and the sheer harmony of their individual and combined vocals is matched by stellar arrangements and in particular, sing along choruses.

Collating 24 of their songs, remastered, particularly with Vinyl in mind across double Vinyl and double CD releases. There are also 10 bonus tracks on the Digital Edition with the Bandcamp purchase. It is a celebration of an 18 year career of mini masterpieces. Ecological thinking without shoving it down your throat.

That career shows that you can offer up big productions, without going over the top, everything is about the song. At times they fit into AOR and can be compared to likes of Queen and yet can produce great Power Pop or slow things down within get mawkish.

Drops Of Gold shows how great Pop Rock can be. Singalong,  foot tapping joy. Fair warning to look out for the Guitar solos, you won't believe what you are hearing. I've selfishly gone for my favourite VWR songs to embed, you can listen to a whole lot more on the link below.

You can listen to and buy the album here. It is available on Vinyl, CD and as a download.

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The High Frequencies - The High Frequencies

 

I once called Lisa Mychols the Queen Of Power Pop. I still think of her that way. Pop of the highest order with that wonderful sugar sweet vocal. There is some of that here and she excels at it, but this, thanks to the locked in band element and it is a band album, this is a much rockier Mychols and it's great.

Mychols varies her vocals to the variety wonderfully well on both the Guitar Pop and the Indie Rock. She is far more important than comparing her to others, but a song like Clean Up Time is pure Debbie Harry Blondie and it suits her well.

Girl In Trouble is all Brass Revue, almost Motown and her phrasing on Nothing Really Stays The Same is totally ace. The Go-Gos spring to mind on. She even sounds temptress like on the opener with a vocal that reminds you of those Power Pop glory days.

But as the album progresses, the Rockier stuff largely takes over and it is really really great. It is a credit to the band that this suits her so well. The album loses none of the big choruses, riffs and solos, it just makes you shake your fist, memorably so.

Stratospheric is right in your face, it just stomps. Parasite is great 80s Big Rock and Can You Hear Me is anthemic, all attitude. Miss Me When I'm Gone has a hint of Ska, feels like a better produced Garage Rock, almost Rhythm And Blues.

Then there is the closer. Nexus Star, that allows Mychols to show off her vocal strength, solo in the first part. She sounds a little Rachel Sweet. The whole album is a revelation, hints of the past, but more aggressive in instrumentation in parts. The album is on the Jem Records label.

You can listen to and buy the album here.  It is available on CD and available as a download.

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Vanity Mirror - Super Fluff Forever

 

Today's 3 Reviews stay current and new, but also hark back to over a decade ago when we began our rise. We were much more of a place for Power Pop then. This second of the three is a cracking reminder of how great the genre is, particularly when it mixes Guitar Pop, Pop Rock and Psych Pop. This album encompasses all.

Vanity Mirror is a collaboration between Toronto's Brett Randall and Los Angeles Drummer, Johnny Toomey. Randall lays down all the songs and sends the songs to Toomey for the drums and it works really well, the drums suit the songs perfectly.

The first three songs sum up the directions perfectly. White Butterfly is wonderful Psych Pop with a hint of David Watts, the type that most regularly floats my boat. The Apple Tree is pure Badfinger head to toe and Anna M is very Andrew Gold in construction and sound. Great Piano Pop!

 Calling the album Power Pop may be a stretch as it progresses. The more Mellow songs are Piano led, the upbeat ones Guitar led. But when the two mix, it is absolute fireworks. many of the mellow songs are aided by a Great Guitar solo.

Jack Of All Trades is slice of Garage Rock and UK New Wave with a little Punk vibe. Plasict Heart goes all 80s New Wave and Painted Blue may be the best thing on display. McCartney Pop of the highest ordered, very late 60s that adds flute and a wonderful Ringo like Drum Pattern.

The whole album is beautifully presented. Unexpectedly, the slower songs grabbed me most. I never thought they would after hearing such an Electric opener. Super Fluff Forever is a splendid reminder of how melody stays with you longest. This is a cracking listen.

You can listen to and buy the album here. It is available on Vinyl, CD and as a download.

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Trolley - A Carnival Of Grey And White

 

I was talking to a friend about the dying days of Anything Should Happen. He thought I was through with the net, I did too. So he was surprised at my return. I stopped ASH because of tiredness of the Facebook groups I was in being full of participants telling everyone how crap all new music was. So IDHAS became a reaction, covering solely New Music, but with an ability to compare the new to the old.

I mention this because one of the very first reviews on the fledgling I Don't Hear A Single was Trolley's Caught In The Darkness. I can't take credit for Trolley, that was Power Pop Overdose's Curt Vance. One of the few still around from that time. He provides similar support to the knew that here does.

I never thought it would take 9 years to get another Trolley album, but tragedy intervened. Recording this follow up was halted in 2021 by the death of Mike Perotto. As part of the process of getting over Mike's death. Paul J Wall and Terry Hackbarth have meticulously finished the album, staying faithful to those sessions and the three decade of the band.

This is great Power Pop, still rooted in 60s Guitar Pop that strays into the Pop Rock of the 70s. The Psych Pop is less pronounced and the 60s sounding synths a little more abundant, but the whole album lyrically feels like a heartfelt tribute to Perotto.

There's even the addition of Brass on a couple of the songs which adds to the enjoyment rather than feeling gratuitous. The title track opens proceedings with a Telstar feel to the synth run, it could have been a Joe Meek production.

That is bookmarked by the closer, Since The Drugs Wore Off. A song that is dark lyrically, moody and magnificent 70s Pop Rock in touch with the New Wave, all to a Power Pop Drum Beat. In between you witness the Jangle Pop, almost Merseybeat, of As Long As I Can Find You.  Radio Silence has some wonderful Psych Pop Guitar to enjoy.

Starlight could be a Show Song if it weren't for the 60s overtone in the harmonies and the wonderful Brass. Leaving You Behind is great UK New Wave and the Psych Pop of Shiny Cars melts my heart. The Face you Brazened is Bowie-esque, splendidly moody and melancholic. All in all this is a great tribute and an album stands up in its own right.

You can listen to and buy the album here. It is available on Vinyl, CD and as a download.

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