Modern Space - Flip For It

It will be no shock that I like an album by a Canadian band, what is most newsworthy is that a major label has got hold of a half decent band. Modern Space are not necessarily aimed at out demographic and Warners probably normally think that we buy all our stuff from Cherry Red and await the new "return to form" Paul Weller album.

So let's enjoy the fact that a band that we'll like will get some decent promotion and celebrate the fact that Flip For It will be right up our street. It's chock full of hooks that largely work. It is a tad shouty at times, but it is splendid pop.

Sean Graham's Ontario outfit are now a five piece and that has expanded the sound. There's plenty of hints of the likes of The Vaccines and The Killers in earlier time. Graham's vocals are suitably diverse enough to pull in an older crowd and the songs romp along.

Kaiser Chiefs spring to mind, although there is far more depth to Modern Space. Surprisingly to these ears, the single and title track is probably the weakest song amongst some really strong songs. The Strokes like riff on A Small Pocket adds to a great lyric. Just Quick starts with a great riff and develops into almost rockabilly.

There's plenty to enjoy here and Flip For It is well worth your attention. You can buy and listen to it everywhere. You can find out more about the band here.

Andy Bopp - Wherewithal

I mentioned how great Myracle Brah were in the review of Andy Bopp's previous album. Blisters And Thorns. That solo album is great, you can read the review here. But the even better news is that Bopp has moved on a pace since then and Wherewithal might just be the best thing that he's ever done.

The album reminds me a lot of Ian McNabb's latest, Our Future In Space. There are plenty of similarities. Melting Into Velveteen is interchangeable, it could be either's song. But the comparison is deeper, both will be compared to their previous band.

Yet their solo work is far deeper, far more fulfilling, but will get less attention than what's gone before. Bopp leans more towards Psych Pop. McNabb to Classic Rock, but the charm and ability is equal.Both have produced exceptional albums this year.

Sure And True is a wonderful example of how good Bopp is now, it's a killer Beatlesque chorus. Lonely Driver is Indie Joy, built around a funky bass riff. Push And Pull is pure Bowie, complete with Sax and some incendiary Guitar. It's a belter. Even the moody piano instrumental. April Is Near.

There really is so much here. The closer, Stranger Is Strange is all twangy moodiness, think Ian Hunter's The Outsider. Blind Faith is a haunting strum, it could make you weep, it's inspired. Shadow is anthemic in a Lennon manner.

These 10 songs contain so much in them, so many twists and turns in each. Beautifully arranged with some outstanding Guitar playing. You even find yourself singing along to the slower numbers. This is nothing like Myracle Brah and you wouldn't want it to be. Andy Bopp is at the top of his game. Wherewithal is a definite inclusion in my Top 10 of the year. Moody. yet incredibly melodic.







I can't recommend the album highly enough. You can buy it everywhere, including the likes of Amazon here. You really should!

Henry Chadwick - Marlin Fisher

I could say more about how great the Henry Chadwick is, but my great friend Dennis covered Marlin Fisher beautifully on his excellent Pop Record Blog. You can read his review here. I urge you to give the album a listen, you will be hooked. The album is right up our street.





You can listen to the album here. Buy it here and everywhere. You can find out more about Henry Chadwick here.

The National Reserve - Motel La Grange

I'm all up for surprises, there are too few of them and Motel La Grange caught me by surprise. It's a wonderfully constructed mainstream album and that caught me unawares. I'd suspected quite a bit of yee haw and what I got was a splendid album that resides more in Classic Rock territory.

Why surprised? Well usually as soon as I see a cowboy hat and a guitar, I run for the hills, hoping to avoid cliche after cliche of good ole boy lost love. Well I should shed my preconceptions, as I'm delighted to tell you that this is a cracking 38 minutes.I was sad when it ended and on it went again.

Yes there are country tinges, but these aren't many and are more than compensated by the rocking and ace song arrangements. Indeed the opener, No More, is a fantastic thing. It resides in some place between Springsteen and Del Amitri, it's a corker of a song.

The National Reserve are from New York, although you'd think that the five piece are more acquainted with Southern California or Nashville. Motel La Grange is a very American album, a real nod to the 70's. It's also a fine testament to the leadership of Sean Walsh. Great songwriting, a commanding vocal and some fine Guitar rock outs.

Although there are hints at times of a rocked up Eagles or a fleshed out Hootie And The Blowfish, the whole album stands firmly on the quality of the playing and some great Organ breaks. New Love smacks of The Outlaws, in fact there's a lot here that compares to that band without the excess.

I should open a closed mind a bit more. This album is a great listen, something that makes me wish I'd discovered it a little earlier. I can't wait for the follow up. You can find listen to and buy the album here. You can find out more about The National Reserve here.

Cursed Arrows - Rebirth

I've always had an admiration for Cursed Arrows. The Ontario Guitar And Drum duo of Jackie And Ryan Stanley have always come across well as a sort of Roots Folk Buckingham Nicks. This is their sixth album and things have changed, hence the album title.

The expansion into a trio with the addition of Scott Gray has sent the band into a different direction. It's not a major diversion, but the arrangements are bigger, the soundscape, whilst still wonderfully eclectic, veers more towards a rock canvas and it works beautifully.






The rocking is at a gentle pace, a song like Dusty Old Soul up front is all jaunty, but behind the eyes are some weird and wonderful instrumental diversions including a cracking Psych Guitar Riff. The songs are very piano led, but it's what is going on in the spaces that makes the album so effective.

A song like Rebirth is duet that feels dark, but the 60's synths and haunting guitar refrain makes it wonderfully moody. There's plenty that's familiar here if you've been on the Cursed Arrows journey for a while. But Rebirth, just takes it on massively. There seems so much in each song and more every time you listen.






This is an incredibly good album. Power Pop it is not, but it's a body of work that deserves your attention. It's a belting listen. You can buy and listen to the album here.

Summer Magic - Sharks And Other Dangers

There's a real 80's Pop feel to Kevin Bachmann's Summer Magic. Not in the twee or SAW way, but in a really innovative mix of eight songs. The two album openers show that strength in very different ways. Hey! is pure Power Pop whilst Tracing A Bird On Construction Paper is a noisier synth led Sheffield pop.

Charles De Gaulle In The Afternoon is Glam Rock that even includes a Roxy Music like Sax refrain. New Years Day is Bubblegum until the fuzzed solo nods to Glasgow 88. By Your Side is a cracking slab of Psych Pop.

The main surprise is that this delightful album comes out of St Louis, it sounds very English. It's also really hard to pick track selections as each is so different. The closer, Running Game is mesmerising, a sort of George Harrison All Things Must Pass dream soundscape.

A Certain Little Chord feels a bit like Doves doing The Beach Boys with some ace harmonies. Attraction Corridors heads straight for the Byrds / TFC slot and jangles straight to the Bullseye. That's the beauty of this album. No song is overdone, say what you've got to say and move on to the next.

Sharks And Other Dangers is one of the best debut albums that I've heard in a long time.

The Posies Are Coming To Town

Here in the UK, we look at the live Power Pop and Pop Rock happenings in the States with a mixture of longing and an opportunity to moan. Most of all of it is financial of course, more would come across of course, if people bought more albums or supported tours by attending.

So when a band do make the effort, it is essential that they are supported and The Posies do support the UK Scene. They are becoming Elder Statesmen of Power Pop and remain one of the finest live acts that you could witness.

2018 has been a really exciting time in Posies land culminating in this 30th Anniversary World Tour with the original Frosting On The Beater Line Up. It's a wet dream for fans and builds on the 2 Disc Deluxe Edition Release of the album.

Some of us will be attending as fans at different tour dates. I'm at Manchester, so there's also a chance to catch up on what is going on in the IDHAS world. Keep up on Facebook and Twitter to find out who and where.

The Four UK Dates are as follows :

Friday 19 October       The Garage London
Saturday 20 October   Brudenell Social Club Leeds
Sunday 21 October     King Tut's Wah Wah Hut
Tuesday 23 October   The Deaf Institute Manchester

The band then head off to Germany and Scandinavia to complete the Tour. You can find tour dates and buy tickets here. The splendid Omnivore label has reissued the three Geffen albums as double disc editions. Two have been released, Amazing Disgrace is coming up very shortly.

You can find details and tracklisting in the following links :


Frosting On The Beater

Dear 23

Amazing Disgrace


The albums are also available at all the usual retail emporiums.